Daniel Kokotajlo’s debut ‘Apostasy’ is a tense tale of faith versus family
Daniel Kokotajlo’s debut ‘Apostasy’ is a tense tale of faith versus family
‘Generation Wealth’: A suitably overloaded look at lives of the super-rich
‘Generation Wealth’: A suitably overloaded look at lives of the super-rich
Losing his religion: Ethan Hawke excels as pained pastor in ‘First Reformed’
Losing his religion: Ethan Hawke excels as pained pastor in ‘First Reformed’
‘Mary Shelley’ – quite contrary to the character this film wants us to know
‘Mary Shelley’ – quite contrary to the character this film wants us to know
Standing out from the herd – in praise of Belgian filmmaker Agnes Varda
Standing out from the herd – in praise of Belgian filmmaker Agnes Varda
‘In the Fade’ – Diane Kruger excels in tale of far-right violence and revenge
‘In the Fade’ – Diane Kruger excels in tale of far-right violence and revenge
The bacchanalian disco inferno of Studio 54 was too hot to handle for some
The bacchanalian disco inferno of Studio 54 was too hot to handle for some
‘McQueen’ is another fine cut in the recent fashion of haute couture movies
‘McQueen’ is another fine cut in the recent fashion of haute couture movies
Don’t let the daftness of ‘L’Amant Double’ trouble you – just surrender
Don’t let the daftness of ‘L’Amant Double’ trouble you – just surrender
Lucrecia Martel’s ‘Zama’ is a llama llama ding dong well worth waiting for
Lucrecia Martel’s ‘Zama’ is a llama llama ding dong well worth waiting for
‘On Chesil Beach’ handsomely remembers a Britain before sexual liberation
‘On Chesil Beach’ handsomely remembers a Britain before sexual liberation
Splashy French Jean-Luc Godard biopic ‘Redoubtable’ sinks with all hands
