‘New Town Utopia’ bids you welcome to the concrete bungle
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‘New Town Utopia’ bids you welcome to the concrete bungle
‘Beast’ is a feast of psycho-sexual energy and violent passion
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‘Beast’ is a feast of psycho-sexual energy and violent passion
‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second
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‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second
Isle of Dogs, review – is it time Wes Anderson learned some new tricks?
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Isle of Dogs, review – is it time Wes Anderson learned some new tricks?
Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne
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Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne
The Square, review – is it hip to be satirising art world vapidity?
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The Square, review – is it hip to be satirising art world vapidity?
You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act
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You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act
A Fantastic Woman, review – Oscar hopeful is a powerful portrait of prejudice
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A Fantastic Woman, review – Oscar hopeful is a powerful portrait of prejudice
Dark River, review – dive into this murky Yorkshire drama at your own risk
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Dark River, review – dive into this murky Yorkshire drama at your own risk
Lady Bird, review – the Oscars will be aflutter for this coming-of-age comedy
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Lady Bird, review – the Oscars will be aflutter for this coming-of-age comedy
Loveless, review – an ominous portrait of neglect with precious little hope
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Loveless, review – an ominous portrait of neglect with precious little hope
Phantom Thread, review – Daniel Day-Lewis dressed for success in ‘last’ film
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