Film

.imgHideOnJavaScriptDisabled_im4tx562w { display: none !important; }

Decision to Leave: A romantic tale of death and deceit

.imgHideOnJavaScriptDisabled_im4tx562x { display: none !important; }

Jenny Agutter: ‘The Railway Children seems like yesterday’

.imgHideOnJavaScriptDisabled_im4tx562y { display: none !important; }

James Bond at 60: 007’s best gadgets

.imgHideOnJavaScriptDisabled_im4tx562z { display: none !important; }

London Film Festival

LFF eats the rich: 7 films tackling inequality at the London Film Festival 2022

.imgHideOnJavaScriptDisabled_im4tx5630 { display: none !important; }

30 years on, Bram Stoker’s Dracula is still the most beautiful film committed to celluloid

.imgHideOnJavaScriptDisabled_im4tx5631 { display: none !important; }

Mrs Harris Goes to Paris review: Lesley Manville swaps drudgery for a dream dress

.imgHideOnJavaScriptDisabled_im4tx5632 { display: none !important; }

Don’t Worry Darling: A dystopian take on the American Dream

.imgHideOnJavaScriptDisabled_im4tx5633 { display: none !important; }

Crimes of the future: Surgery is the new sex in Cronenberg’s latest ick-flick

.imgHideOnJavaScriptDisabled_im4tx5634 { display: none !important; }

EIFF highlights: From naked New Zealanders to Korean car chases

.imgHideOnJavaScriptDisabled_im4tx5635 { display: none !important; }

Memory: Another outing for Liam Neeson’s cool black coat

.imgHideOnJavaScriptDisabled_im4tx5636 { display: none !important; }

Hugh Bonneville: ‘I’m not scary, I’m cuddly’ – how the Downton Abbey star became the villain in new Netflix film I Came By

.imgHideOnJavaScriptDisabled_im4tx5637 { display: none !important; }

Gabriel Byrne: ‘Leonard Cohen has been a soundtrack to my life’

.imgHideOnJavaScriptDisabled_im4tx5638 { display: none !important; }

This is Gwar review: ‘A goofy, goopy assault on the senses’

.imgHideOnJavaScriptDisabled_im4tx5639 { display: none !important; }

Willa Fitzgerald on her Watergate thriller 18½: ‘We live in a very different political atmosphere’

.imgHideOnJavaScriptDisabled_im4tx563a { display: none !important; }

Peter Cushing’s Dr Who movies regenerated for a new audience

.imgHideOnJavaScriptDisabled_im4tx563b { display: none !important; }

Rainn Wilson on the meaning of life, America and the ‘gratifying’ legacy of The Office

.imgHideOnJavaScriptDisabled_im4tx563c { display: none !important; }

Top songs: a guide to Tom Cruise singing cheesy tunes in movies

.imgHideOnJavaScriptDisabled_im4tx563d { display: none !important; }

The Lost Girls: ‘This movie represents my own process of growing up’

.imgHideOnJavaScriptDisabled_im4tx563e { display: none !important; }

Good Luck to You, Leo Grande is a radical reminder that older women are sexual beings

.imgHideOnJavaScriptDisabled_im4tx563f { display: none !important; }

Lightyear: Astronaut Tim Peake reveals five things films get right about space

.css-l0mio9{display:none;visibility:hidden;}