Film

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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How Anya Taylor-Joy cornered the Complex Female Character market

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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The indefinable allure of Tom Burke

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Letter To My Younger Self

Alex Winter: ‘Keanu and I never thought Bill & Ted was going to be a big movie’

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The Worst Person in the World: A coming-of-age tale with a misleading title

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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Mark Rylance: ‘There’s a loss of identity in England – who are we other than post-imperial bastards?’

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As The Godfather turns 50, we remember Marlon Brando’s Oscars boycott

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Flee proves that we truly are in a golden age of animation

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Can Uncharted break the curse of an entire genre?

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Evangeline Lilly: ‘If you lined up all the characters I’ve played, it would be hard to identify me’

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Scream: The genre-defining meta movie refuses to be killed off

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Mass review: Compelling drama faces every parent’s worst nightmare head-on

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‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film

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Actor Danielle Deadwyler: ‘The caring Black women do for community is motherhood beyond biology’

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The films you need to see in 2022

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Letter To My Younger Self

Peter Dinklage: ‘Who says beautiful white people own the rights to romantic stories?’

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Rebel Dykes: From activism to politics and sex, unheard lesbian stories hit the screen

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Home Alone 2: Lost in New York

Home Alone 2: Lost in New York and its poignant discussion of homelessness

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