Film

Lea Thompson: ‘I love that science fiction can use the future to talk about the present’
Film

Lea Thompson: ‘I love that science fiction can use the future to talk about the present’

How Get Carter created the blueprint for the British gangster movie
Film

How Get Carter created the blueprint for the British gangster movie

Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel
Film

Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel

The Contractor review: Mindless title, mindful military thriller
Film

The Contractor review: Mindless title, mindful military thriller

A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday
Film

A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

Sophie Marceau: ‘I hope love always stays a mystery’
Film

Sophie Marceau: ‘I hope love always stays a mystery’

Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences
Film

Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

How Anya Taylor-Joy cornered the Complex Female Character market
Film

How Anya Taylor-Joy cornered the Complex Female Character market

The indefinable allure of Tom Burke
Film

The indefinable allure of Tom Burke

Alex Winter: ‘Keanu and I never thought Bill & Ted was going to be a big movie’
Letter To My Younger Self

Alex Winter: ‘Keanu and I never thought Bill & Ted was going to be a big movie’

The Worst Person in the World: A coming-of-age tale with a misleading title
Graeme Virtue

The Worst Person in the World: A coming-of-age tale with a misleading title

The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars
Homelessness

The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

Mark Rylance: ‘There’s a loss of identity in England – who are we other than post-imperial bastards?’
Film

Mark Rylance: ‘There’s a loss of identity in England – who are we other than post-imperial bastards?’

Ali & Ava: Interracial romance is a balm of northern soul
Film

Ali & Ava: Interracial romance is a balm of northern soul

As The Godfather turns 50, we remember Marlon Brando’s Oscars boycott
Film

As The Godfather turns 50, we remember Marlon Brando’s Oscars boycott

Flee proves that we truly are in a golden age of animation
Film

Flee proves that we truly are in a golden age of animation

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Evangeline Lilly: ‘If you lined up all the characters I’ve played, it would be hard to identify me’
Film

Evangeline Lilly: ‘If you lined up all the characters I’ve played, it would be hard to identify me’

Scream: The genre-defining meta movie refuses to be killed off
Film

Scream: The genre-defining meta movie refuses to be killed off

Mass review: Compelling drama faces every parent’s worst nightmare head-on
Film review

Mass review: Compelling drama faces every parent’s worst nightmare head-on

‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film
Film

‘We are turning into a corrupt country’: Jeremy Irons and Robert Harris on their new Netflix film