Film

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Rainn Wilson on the meaning of life, America and the ‘gratifying’ legacy of The Office

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Elvis review: The paradox of American myth-making

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Top songs: a guide to Tom Cruise singing cheesy tunes in movies

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The Lost Girls: ‘This movie represents my own process of growing up’

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Good Luck to You, Leo Grande is a radical reminder that older women are sexual beings

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Lightyear: Astronaut Tim Peake reveals five things films get right about space

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Everything Went Fine: A right-to-die story that’s strangely life-affirming

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Filming will begin on Paddington 3 next year as its director and title is confirmed

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How Get Carter created the blueprint for the British gangster movie

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Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel

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The Contractor review: Mindless title, mindful military thriller

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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How Anya Taylor-Joy cornered the Complex Female Character market

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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Letter To My Younger Self

Alex Winter: ‘Keanu and I never thought Bill & Ted was going to be a big movie’

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The Worst Person in the World: A coming-of-age tale with a misleading title

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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Mark Rylance: ‘There’s a loss of identity in England – who are we other than post-imperial bastards?’

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