Film

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House of Gucci review: A decadent parade of high camp and dodgy accents

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Matt Haig on A Boy Called Christmas and how to look after your mental health this festive season

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Petite Maman review: ‘Things get a little weird’

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Ruth Negga on Passing: ‘We need to address issues that people are frightened of’

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‘Their dogs are a reason for living’: A new film tells the story of homeless people and their pets

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Spencer review: ‘Just let Princess Diana rest in peace’

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Last Night in Soho review: ‘A bone-close exploration of female trauma’

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Climate change at the movies – a history

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Venom: Let There Be Carnage is another missed opportunity for a superhero-horror crossover

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The best under-the-radar films to see at this year’s London Film Festival

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You know that unmistakeable James Bond film look? Here’s how it’s created

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The real Q: James Bond special effects guru reveals the secrets to 007’s stunts

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The Paper Tigers: Kung Fu caper punches above its weight

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Why the Take One Action Film Festival makes essential viewing ahead of COP26

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Herself director Claire Dunne: ‘We need to look at the building blocks of people, not just their houses’

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Respect review: Jennifer Hudson is sensational as Aretha Franklin

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Limbo ‘was a chance to show the world what refugees are really like’

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Risky business: WeWork’s rise and fall

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‘You know my politics’: Benedict Cumberbatch reflects on these strange times

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Virginia McKenna is still fighting for wildlife to be Born Free aged 90

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