Film

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Memory: Another outing for Liam Neeson’s cool black coat

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Hugh Bonneville: ‘I’m not scary, I’m cuddly’ – how the Downton Abbey star became the villain in new Netflix film I Came By

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Gabriel Byrne: ‘Leonard Cohen has been a soundtrack to my life’

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This is Gwar review: ‘A goofy, goopy assault on the senses’

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Willa Fitzgerald on her Watergate thriller 18½: ‘We live in a very different political atmosphere’

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Peter Cushing’s Dr Who movies regenerated for a new audience

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Rainn Wilson on the meaning of life, America and the ‘gratifying’ legacy of The Office

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Elvis review: The paradox of American myth-making

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The Lost Girls: ‘This movie represents my own process of growing up’

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Good Luck to You, Leo Grande is a radical reminder that older women are sexual beings

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Lightyear: Astronaut Tim Peake reveals five things films get right about space

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Everything Went Fine: A right-to-die story that’s strangely life-affirming

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Filming will begin on Paddington 3 next year as its director and title is confirmed

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Lea Thompson: ‘I love that science fiction can use the future to talk about the present’

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How Get Carter created the blueprint for the British gangster movie

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Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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How Anya Taylor-Joy cornered the Complex Female Character market

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