Film

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Edward Norton’s passion project Motherless Brooklyn is worth the wait

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Emilio Estevez: “If you want to know how I view the world, look at my films”

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Karen Gillan: “I wasn’t a wild child”

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Rian Johnson has Knives Out for the murder mystery genre

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Review: Knives Out is a blade of glory for Rian Johnson

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There’s little magic in The Amazing Johnathan Documentary

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Blade Runner Day: Remembering Rutger Hauer and the van that changed his life

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Emilia Clarke: How can you get yourself together when you don’t have a home?

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Last Christmas director Paul Feig on street artist STIK’s role in the film

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Henry Golding: Love, jeopardy and a bit of magic in Last Christmas

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“OH MY GOD, THERE ARE TWO PAUL RUDDS”

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Helen Mirren and Ian McKellen shine in The Good Liar

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Blade Runner is set in November 2019 but what does it say about our future?

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Ken Loach: “This is not an accident. This is capitalism working.”

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Ken Loach’s Sorry We Missed You shows reality of austerity Britain

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REVIEW: Naomie Harris finally gets a lead role in Black and Blue

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Meet Pennyworth, Alfred Pennyworth: Jack Bannon brings together Batman & Bond

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Space lamb – how Shaun the Sheep went interstellar for Farmageddon

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Chris Morris interview: “It’s bonanza time for bad behaviour”

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REVIEW: Chris Morris is back with scabrous comedy The Day Shall Come

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