Film

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Bombshell’s telling of Fox CEO Roger Ailes’ downfall is satisfying but uneven

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George MacKay explains WWI epic 1917 using Super Mario and Luigi

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1917 review: it’s a terrifically good beat-the-clock nailbiter

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M Night Shyamalan takes us through the real-life twists that surprise him

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Why we are being bombarded by romantic Christmas films

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We meet Anthony Daniels: the man behind C-3PO

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Street Cat Bob is back in action!

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Anthony McCarten, the writer with the Midas touch, on his ‘Pope Opera’

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Edward Norton’s passion project Motherless Brooklyn is worth the wait

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Emilio Estevez: “If you want to know how I view the world, look at my films”

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Karen Gillan: “I wasn’t a wild child”

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Rian Johnson has Knives Out for the murder mystery genre

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Review: Knives Out is a blade of glory for Rian Johnson

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There’s little magic in The Amazing Johnathan Documentary

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Blade Runner Day: Remembering Rutger Hauer and the van that changed his life

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Emilia Clarke: How can you get yourself together when you don’t have a home?

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Last Christmas director Paul Feig on street artist STIK’s role in the film

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Henry Golding: Love, jeopardy and a bit of magic in Last Christmas

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“OH MY GOD, THERE ARE TWO PAUL RUDDS”

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Helen Mirren and Ian McKellen shine in The Good Liar

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