Film
Street Cat Bob is moving on but he’s leaving us with a crazy new cartoon
Street Cat Bob is moving on but he’s leaving us with a crazy new cartoon
‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second
‘120 Beats per Minute’ is an Aids docudrama that doesn’t waste a second
Isle of Dogs, review – is it time Wes Anderson learned some new tricks?
Isle of Dogs, review – is it time Wes Anderson learned some new tricks?
Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne
Punk, Icon, Activist: Never mind the Sex Pistols, here’s Vivienne
The Square, review – is it hip to be satirising art world vapidity?
The Square, review – is it hip to be satirising art world vapidity?
You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act
You Were Never Really Here, review – Joaquin Phoenix nails hammer hitman act
Susan Sarandon: “Hedy Lamarr was so strong, as well as brilliant”
Susan Sarandon: “Hedy Lamarr was so strong, as well as brilliant”
Watch ‘SMEAR’ – a terrifying, tentacle-infested trip to the gynaecologist
Watch ‘SMEAR’ – a terrifying, tentacle-infested trip to the gynaecologist
Duncan Jones: Twitter love for Mute has recharged my heart
Duncan Jones: Twitter love for Mute has recharged my heart
Rising star Jade Anouka brings the Black Panther Challenge to London
Rising star Jade Anouka brings the Black Panther Challenge to London
A Fantastic Woman, review – Oscar hopeful is a powerful portrait of prejudice
A Fantastic Woman, review – Oscar hopeful is a powerful portrait of prejudice
Timothy Spall: “It was one of the biggest shocks of my life”
Timothy Spall: “It was one of the biggest shocks of my life”
The Shape of Water and the history of interspecies love
The Shape of Water and the history of interspecies love
Dark River, review – dive into this murky Yorkshire drama at your own risk
Dark River, review – dive into this murky Yorkshire drama at your own risk
Loveless, review – an ominous portrait of neglect with precious little hope
Loveless, review – an ominous portrait of neglect with precious little hope
Andrea Riseborough: “I get paid one twentieth of my male co-stars’ fee”
Andrea Riseborough: “I get paid one twentieth of my male co-stars’ fee”
Miranda Richardson: “I don’t do social media. I need the human voice”
Miranda Richardson: “I don’t do social media. I need the human voice”
Sam Claflin: “People need to talk but they also need to bloody listen”
