Film

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Steve McQueen’s ‘Widows’ is a lesson in how to portray badass women in film

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‘Peterloo’ highlights a shamefully overlooked event in British history

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Jamie Lee Curtis is back for ‘Halloween’, so how about a ‘Blue Steel’ sequel?

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Rami Malek unravels the tireless, joyous making of ‘Bohemian Rhapsody’

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John Carpenter’s satirical horror ‘They Live’ looks scarily prescient today

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Lunar eclipsed – ‘First Man’ leaves our critic earthbound in his final review

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‘Columbus’ savours the fine architecture of buildings and relationships alike

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‘The Gospel According to André’ – the doc for a dedicated follower of fashion

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Chloë Grace Moretz: “Buying a ticket to see this movie is casting a ballot”

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‘The Miseducation of Cameron Post’ gives a whole new meaning to bad education

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‘Yardie’ star Aml Ameen went deep for role in Idris Elba’s directorial debut

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Pawel Pawlikowski’s musical romance ‘Cold War’ finds love in a hopeless place

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Spike Lee’s ‘BlacKkKlansman’ is a provocative and urgent film for our times

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Brian Henson: “I depicted a puppet ejaculating Silly String”

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Ron Stallworth was the first black member of the Ku Klux Klan

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The Eyes of Orson Welles offers a fresh perspective on the filmmaker’s life

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How very good was 1988 high-school black comedy Heathers?

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With its semi-miraculous plot contrivances ‘The Apparition’ is beyond belief

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Daniel Kokotajlo’s debut ‘Apostasy’ is a tense tale of faith versus family

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Mamma Mia! Here We Go Again – Jeremy Irvine steps up to the mic

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