Film

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Young Frankenstein, review – Mel Brooks’ classic rises from the dead, again

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Michaël Dudok de Wit: “It’s deeply rooted in us to enjoy a line drawing”

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Pedro Pascal talks Kingsman, Narcos and the goriest death on Game of Thrones

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Borg McEnroe review – true Wimbledon tale starring Shia LaBeouf serves an ace

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Benedict Cumberbatch: “I don’t regret doing that for a second”

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Street Cat Bob: A Tokyo tail…

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The Graduation review – Pop Idol meets arthouse at France’s elite film school

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Knitted dolls to painted portraits: Meet Street Cat Bob’s most dedicated fans

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Steven Soderbergh: “Artists don’t need lots of money, they just need freedom”

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God’s Own Country review – much more than just a British Brokeback Mountain

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Kathryn Bigelow’s Detroit review – vivid but blunt look at 1967 race riots

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Silenced Voices: New exhibition highlights political prisoners in Syria

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Amat Escalante’s The Untamed – strange pleasures from out of this world

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A Ghost Story – Casey Affleck and Rooney Mara haunt in a top film of 2017

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Morrissey biopic England Is Mine – a quiet portrait of a star’s growing pains

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Judd Apatow on why The Big Sick is serious comedy

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Kenneth Branagh: “Working with Christopher Nolan was a masterclass”

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Cillian Murphy: “You are given the chance to create and fail”

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Back to the beaches of Dunkirk

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Fionn Whitehead: “Dunkirk set the mood for the rest of the war”

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