Film

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Happy End, review – a dark and masterly portrait of family dysfunction

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Manifesto, review – film or high-concept art project? A triumph either way

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Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama

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Burt Ward: “I had the greatest time playing Robin”

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Paddington 2, review – sticky sequel has the makings of a festive favourite

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The Killing of a Sacred Deer, review – one of 2017’s most compelling movies

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Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones

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One year after I, Daniel Blake – what has changed?

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James Bowen and Street Cat Bob appear at special screening in Cornwall

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Tim Roth: “There are definite parallels between Donald Trump and Jeremy Hunt”

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Loving Vincent, review – hand-painted film about van Gogh is a visual feast

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The Reagan Show, review – a behind the scenes doc with eerie modern relevance

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Young Frankenstein, review – Mel Brooks’ classic rises from the dead, again

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Michaël Dudok de Wit: “It’s deeply rooted in us to enjoy a line drawing”

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Pedro Pascal talks Kingsman, Narcos and the goriest death on Game of Thrones

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Borg McEnroe review – true Wimbledon tale starring Shia LaBeouf serves an ace

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Street Cat Bob: A Tokyo tail…

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The Graduation review – Pop Idol meets arthouse at France’s elite film school

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Knitted dolls to painted portraits: Meet Street Cat Bob’s most dedicated fans

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Belle de Jour – Catherine Deneuve still shines in a confounding cult classic

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