Film

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Gary Oldman: ‘Meeting people I respect blows my mind when they revere me’

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The Final Year, review – the adulatory Obama doc that didn’t see Trump coming

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Liam Neeson: “Our age of insularity is a big issue”

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Three Billboards Outside Ebbing, Missouri – Oscar tip fails to catch fire

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Martin McDonagh: “Most men in the film business are illiterate pricks”

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Ease off on the moral panic – Hollywood’s sex scandal is far more subjective

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Offbeat gems and Christmas classics – ’tis the season to support indie cinema

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James Bowen backs job training platform for homeless people

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May the Force be with these films facing Star Wars at the box office

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How do Jedi celebrate Christmas?

Mark Hamill: Revelations of the Jedi

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Human Flow, review – Ai Weiwei’s refugee crisis doc is necessary viewing

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Happy End, review – a dark and masterly portrait of family dysfunction

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Manifesto, review – film or high-concept art project? A triumph either way

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Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama

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Burt Ward: “I had the greatest time playing Robin”

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The Killing of a Sacred Deer, review – one of 2017’s most compelling movies

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Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones

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One year after I, Daniel Blake – what has changed?

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I Am Not a Witch, review – Rungano Nyoni’s directorial debut is spellbinding

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