Film

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Our week with Mark Hamill: “At first, I wondered if Star Wars was a comedy”

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May the Force be with these films facing Star Wars at the box office

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How do Jedi celebrate Christmas?

Mark Hamill: Revelations of the Jedi

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Human Flow, review – Ai Weiwei’s refugee crisis doc is necessary viewing

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Happy End, review – a dark and masterly portrait of family dysfunction

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Manifesto, review – film or high-concept art project? A triumph either way

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Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama

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Paddington 2, review – sticky sequel has the makings of a festive favourite

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The Killing of a Sacred Deer, review – one of 2017’s most compelling movies

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Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones

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One year after I, Daniel Blake – what has changed?

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I Am Not a Witch, review – Rungano Nyoni’s directorial debut is spellbinding

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James Bowen and Street Cat Bob appear at special screening in Cornwall

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Tim Roth: “There are definite parallels between Donald Trump and Jeremy Hunt”

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Loving Vincent, review – hand-painted film about van Gogh is a visual feast

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Young Frankenstein, review – Mel Brooks’ classic rises from the dead, again

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Michaël Dudok de Wit: “It’s deeply rooted in us to enjoy a line drawing”

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Pedro Pascal talks Kingsman, Narcos and the goriest death on Game of Thrones

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Borg McEnroe review – true Wimbledon tale starring Shia LaBeouf serves an ace

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