Film

.imgHideOnJavaScriptDisabled_imlen9xpm { display: none !important; }

Our week with Mark Hamill: “At first, I wondered if Star Wars was a comedy”

.imgHideOnJavaScriptDisabled_imlen9xpn { display: none !important; }

May the Force be with these films facing Star Wars at the box office

.imgHideOnJavaScriptDisabled_imlen9xpo { display: none !important; }

How do Jedi celebrate Christmas?

Mark Hamill: Revelations of the Jedi

.imgHideOnJavaScriptDisabled_imlen9xpp { display: none !important; }

Human Flow, review – Ai Weiwei’s refugee crisis doc is necessary viewing

.imgHideOnJavaScriptDisabled_imlen9xpq { display: none !important; }

Happy End, review – a dark and masterly portrait of family dysfunction

.imgHideOnJavaScriptDisabled_imlen9xpr { display: none !important; }

Manifesto, review – film or high-concept art project? A triumph either way

.imgHideOnJavaScriptDisabled_imlen9xps { display: none !important; }

Good Time, review – Robert Pattinnson reinvented in gritty bank heist drama

.imgHideOnJavaScriptDisabled_imlen9xpt { display: none !important; }

Paddington 2, review – sticky sequel has the makings of a festive favourite

.imgHideOnJavaScriptDisabled_imlen9xpu { display: none !important; }

The Killing of a Sacred Deer, review – one of 2017’s most compelling movies

.imgHideOnJavaScriptDisabled_imlen9xpv { display: none !important; }

Bloodlight and Bami, review – a glimpse behind the mask of Grace Jones

.imgHideOnJavaScriptDisabled_imlen9xpw { display: none !important; }

One year after I, Daniel Blake – what has changed?

.imgHideOnJavaScriptDisabled_imlen9xpx { display: none !important; }

I Am Not a Witch, review – Rungano Nyoni’s directorial debut is spellbinding

.imgHideOnJavaScriptDisabled_imlen9xpy { display: none !important; }

James Bowen and Street Cat Bob appear at special screening in Cornwall

.imgHideOnJavaScriptDisabled_imlen9xpz { display: none !important; }

Tim Roth: “There are definite parallels between Donald Trump and Jeremy Hunt”

.imgHideOnJavaScriptDisabled_imlen9xq0 { display: none !important; }

Loving Vincent, review – hand-painted film about van Gogh is a visual feast

.imgHideOnJavaScriptDisabled_imlen9xq1 { display: none !important; }

Young Frankenstein, review – Mel Brooks’ classic rises from the dead, again

.imgHideOnJavaScriptDisabled_imlen9xq2 { display: none !important; }

Michaël Dudok de Wit: “It’s deeply rooted in us to enjoy a line drawing”

.imgHideOnJavaScriptDisabled_imlen9xq3 { display: none !important; }

Pedro Pascal talks Kingsman, Narcos and the goriest death on Game of Thrones

.imgHideOnJavaScriptDisabled_imlen9xq4 { display: none !important; }

Borg McEnroe review – true Wimbledon tale starring Shia LaBeouf serves an ace

.css-l0mio9{display:none;visibility:hidden;}