Film

.imgHideOnJavaScriptDisabled_im3jfjjbv { display: none !important; }

‘Disney didn’t think it was funny enough’: Brian Henson on making The Muppet Christmas Carol

.imgHideOnJavaScriptDisabled_im3jfjjbw { display: none !important; }

Bad Santa and violent nights: The alternative festive movies you need this Christmas

.imgHideOnJavaScriptDisabled_im3jfjjbx { display: none !important; }

Festive favourite

The Muppet Christmas Carol actress Meredith Braun on When Love Is Gone being restored

.imgHideOnJavaScriptDisabled_im3jfjjby { display: none !important; }

‘We’re making disobedience a virtue’ – Guillermo del Toro on Pinocchio

.imgHideOnJavaScriptDisabled_im3jfjjbz { display: none !important; }

Matilda the Musical: Tim Minchin’s anarchic lessons for revolting times

.imgHideOnJavaScriptDisabled_im3jfjjc0 { display: none !important; }

Ryan Reynolds: ‘The great gift about getting older is you become more comfortable with sucking’

.imgHideOnJavaScriptDisabled_im3jfjjc1 { display: none !important; }

Aftersun: Charlotte Wells captures the fragmentation of memory and loss

.imgHideOnJavaScriptDisabled_im3jfjjc2 { display: none !important; }

Ryan Reynolds: What Hugh Jackman taught me about musicals

.imgHideOnJavaScriptDisabled_im3jfjjc3 { display: none !important; }

The Wonder: Florence Pugh nourishes the soul as a nurse in 19th-century Ireland

.imgHideOnJavaScriptDisabled_im3jfjjc4 { display: none !important; }

Bill Nighy: ‘Everyone can make a difference if we cooperate’

.imgHideOnJavaScriptDisabled_im3jfjjc5 { display: none !important; }

This is Gwar interview: ‘We are the real Spinal Tap’

.imgHideOnJavaScriptDisabled_im3jfjjc6 { display: none !important; }

Eddie Redmayne: ‘At the end of lockdown I was looking to explode’

.imgHideOnJavaScriptDisabled_im3jfjjc7 { display: none !important; }

Decision to Leave: A romantic tale of death and deceit

.imgHideOnJavaScriptDisabled_im3jfjjc8 { display: none !important; }

Jenny Agutter: ‘The Railway Children seems like yesterday’

.imgHideOnJavaScriptDisabled_im3jfjjc9 { display: none !important; }

James Bond at 60: 007’s best gadgets

.imgHideOnJavaScriptDisabled_im3jfjjca { display: none !important; }

London Film Festival

LFF eats the rich: 7 films tackling inequality at the London Film Festival 2022

.imgHideOnJavaScriptDisabled_im3jfjjcb { display: none !important; }

Mrs Harris Goes to Paris review: Lesley Manville swaps drudgery for a dream dress

.imgHideOnJavaScriptDisabled_im3jfjjcc { display: none !important; }

Don’t Worry Darling: A dystopian take on the American Dream

.imgHideOnJavaScriptDisabled_im3jfjjcd { display: none !important; }

Crimes of the future: Surgery is the new sex in Cronenberg’s latest ick-flick

.imgHideOnJavaScriptDisabled_im3jfjjce { display: none !important; }

Michael Flatley on writing, directing and starring in his spy thriller Blackbird

.css-l0mio9{display:none;visibility:hidden;}