Film

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The Old Oak: Director Ken Loach and writer Paul Laverty on changing the conversation and challenging cruelty

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Incredible story behind man who created a dress out of nettles

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Hot fuzz: The most glorious moustaches in movie history, ranked

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The Dive: A clammy, cathartic scuba thriller

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No more good cop, bad cop: Revisiting Serpico and Training Day in the wake of global calls to abolish the police

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William Friedkin on ‘rip-off’ Exorcist sequels, Scorsese selling out and dressing as Ali G

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Joy Ride: A modern kind of gross-out comedy

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Kokomo City: ‘Who doesn’t want these girls to be safe?’

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How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

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Melissa Barrera: ‘Carmen represents rebellion’

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Kalvin Phillips: ‘This generation of players can inspire young people’

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Does Mission: Impossible prove Hollywood has forgotten how to end a movie?

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Is Mission: Impossible on Cruise control?

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An Elemental problem at the heart of Pixar

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John Rhys-Davies: ‘We learn from our exposure to fear’

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Punch a Nazi: The morally certain joy of Indiana Jones, from Raiders to the Dial of Destiny

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Asteroid City is a perfectly timed meditation on grief

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A Dispatch from ’24 Hour Wes Fest’, or The Peculiar Oddities of a Wes Anderson Cinematic Endurance Test

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The Wicker Man at 50: Woozy, semi-surreal and hugely influential

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Glenda Jackson defied expectations to succeed in acting and politics

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