Music

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Devo 50 – UK farewell tour review: Boy, they can Booji

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‘Everybody deserves shelter’: Chat Pile mount heavy challenge to homelessness crisis

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‘It’s not fun to be right’: How new wave pioneers Devo predicted Trump and our ‘bankrupt materialism’

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Letter to my Younger Self

Joan Jett: ‘How dare you tell me what I can and can’t do?’

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fighting misogyny

Joan Jett: Our early shows felt like a public execution

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Hot Box, Chelmsford: Possibly the only UK venue to puts on funk nights and a chess club

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Stravinsky rite of passage is worth protecting

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Letter to my Younger Self

Midge Ure: ‘Music kept me away from gangs’

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Midge Ure on alcoholism and recovery: ‘After I saw my daughter’s reaction, I never touched it again’

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Britpop’s returning heroes remain a different class

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Just Stop Oil targeted Glyndebourne, but their aim could be better

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Blur live at the BBC’s Radio Theatre: An up-close communion with a shared past

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The Howl & The Hum: How we rewrote a future we thought was lost

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How Matthew Halsall enticed new ears to Manchester’s magical jazz scene

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Susanna Hoffs: The Bangles were scrappy and we protected each other

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singing together

Watch Supergrass star Gaz Coombes’ new single with choir for homeless people

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Pulp at TRNSMT, Glasgow: Class anger made transcendent

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Sincerity or cynicism? The captivating slipperiness of Ben Folds

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Tony Allen: Inventor of Afrobeat was both technically remarkable and irresistibly funky

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Joseph Bologne and Karl Jenkins: Misrepresented composers, centuries apart

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