Music

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Stone Club: The most literal rock tour you’ll ever see

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How opera is giving a powerful voice to migrants

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Arcade Fire tour: ‘Just some humans doing our best’

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Self Esteem’s righteous reinvention should lead to Mercury Prize glory

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Arctic Monkeys’ Alex Turner talks The Car and 20 years of the band with Martin Compston

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Muse: Will of the People review – ‘Mad, bad, dangerous, and unreasonably good fun’

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Martin Compston on Arctic Monkeys: ‘There are no egos’

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Let this 99-year-old nun be your introduction to Ethio-jazz

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‘The Taliban scare me, but not as much as I scare them’

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The solution to racism controversy in opera is staring us in the face

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Fragile: The Taiwanese protest song that China couldn’t silence

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Letter to my Younger Self

P.P. Arnold: ‘I was in a relationship with a white boy that just happened to be Mick Jagger’

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Born to run riot with surge pricing – ticket agencies have become the ticket touts

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Letter To My Younger Self

Gary Numan: ‘Fame is like jumping onto a speeding train. At some point you lose your grip’

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This Is The Modern World: New exhibition showcases Paul Weller from The Jam to The Style Council

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The Recycling Concerto creating a smash out of trash

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Lucy Sweet: Glastonbury – ‘the maddest masterclass of sensory overload’

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Music biz legend Barbara Charone lifts the lid on an incredible career

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Six things we learned from Phoebe Bridgers live at Glasgow Barrowland

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Calum Scott: ‘Pouring my heart out is the only way I can write’

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