Music

.imgHideOnJavaScriptDisabled_imfnbbriu { display: none !important; }

Will Young: ‘I worked out that nothing really matters, then found simplistic joy in everything’

.imgHideOnJavaScriptDisabled_imfnbbriv { display: none !important; }

Musicians record fundraiser protest song in support of Ukraine

.imgHideOnJavaScriptDisabled_imfnbbriw { display: none !important; }

The messy magic of The Beatles and Ben Corrigan’s fascinating podcast

.imgHideOnJavaScriptDisabled_imfnbbrix { display: none !important; }

Muse to play show in support of The Big Issue

.imgHideOnJavaScriptDisabled_imfnbbriy { display: none !important; }

Cymande – the most influential band you’ve never heard of

.imgHideOnJavaScriptDisabled_imfnbbriz { display: none !important; }

The Music That Made Me

Skunk Anansie’s Skin: ‘Rage Against the Machine gave me permission to be political’

.imgHideOnJavaScriptDisabled_imfnbbrj0 { display: none !important; }

Stephan Moccio: piano solos with a pop persuasion

.imgHideOnJavaScriptDisabled_imfnbbrj1 { display: none !important; }

Letter To My Younger Self

Lloyd Cole: ‘My younger self would probably be appalled I’m still performing with grey hair’

.imgHideOnJavaScriptDisabled_imfnbbrj2 { display: none !important; }

Why Sweden is top when it comes to pop

.imgHideOnJavaScriptDisabled_imfnbbrj3 { display: none !important; }

Tobias Forge explains the surprise influence of Eurovision on metal band Ghost

.imgHideOnJavaScriptDisabled_imfnbbrj4 { display: none !important; }

The female composers you should be listening to on International Women’s Day

.imgHideOnJavaScriptDisabled_imfnbbrj5 { display: none !important; }

Farewell Betty Davis: Raw funk pioneer

.imgHideOnJavaScriptDisabled_imfnbbrj6 { display: none !important; }

Has Coventry’s year as UK City of Culture shaken off its Ghost Town past?

.imgHideOnJavaScriptDisabled_imfnbbrj7 { display: none !important; }

Watch now: Exclusive video from Yungblud’s ‘make or break’ US tour

.imgHideOnJavaScriptDisabled_imfnbbrj8 { display: none !important; }

‘I’ll never forget it’: Guest editor Yungblud reveals how a Big Issue seller turned his life around

.imgHideOnJavaScriptDisabled_imfnbbrj9 { display: none !important; }

Spotify row: why artists should take lessons from Garth Brooks

.imgHideOnJavaScriptDisabled_imfnbbrja { display: none !important; }

Mo Gilligan: ‘The fact I get to host the Brits still hasn’t sunk in’

.imgHideOnJavaScriptDisabled_imfnbbrjb { display: none !important; }

Sam Fender: ‘A lot of people don’t like the idea they might be privileged’

.imgHideOnJavaScriptDisabled_imfnbbrjc { display: none !important; }

Plunderphonia: reinventing legends for modern ears

.imgHideOnJavaScriptDisabled_imfnbbrjd { display: none !important; }

Letter To My Younger Self

Russell Watson: ‘I never had any ambition to be a singer at all’

.css-l0mio9{display:none;visibility:hidden;}