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The story of Chervona Ruta – Ukraine’s pop song of resistance

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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Kit Connor: ‘Heartstopper is a love story above all else’

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This week’s Big TV: Gaslit, Chivalry, Tan France: Beauty and the Bleach, Life After Life and Heartstopper

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How Manchester became the UK’s jazz capital

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Ai-Da: Meet the robot artist exhibiting at the Venice Biennale

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Thomasin McKenzie and Sian Clifford compare acting to their new series Life After Life

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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Why we need to talk about Anatomy of a Scandal according to Michelle Dockery and Naomi Scott

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Peter Mullan: ‘This is a party who single-handedly created food banks. That should be on the collective Tory gravestone’

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How Anya Taylor-Joy cornered the Complex Female Character market

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Jimmy Webb: ‘I came pretty close to the edge of the abyss on a number of occasions’

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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Anatomy of a Scandal

Sienna Miller: ‘This is the right time for a show like Anatomy of a Scandal’

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Reggae has become an international language, synonymous with peace, love and justice

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Call Me: Johnny Marr in conversation with Debbie Harry and Chris Stein

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This week’s Big TV picks: Derry Girls, Doctor Who, Muhammad Ali and Why Didn’t They Ask Evans

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5 things we can learn from Freeze the Fear with Wim Hof

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JJ Chalmers: ‘In some ways, it’s like I was born again after Afghanistan’

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Bertie Carvel on playing Donald Trump: ‘It’s going to be a huge success. I feel confident saying that to you.’

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