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Violence against women

Maryland star Hayley Squires: ‘This is not a 30-minute-long accusation. We’re asking for men’s help’

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Letter to my Younger Self

Simon Pegg: ‘Sometimes I catch myself, oh my god, I’m on the bridge of the Enterprise. How did I get here?’

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Ricardo P Lloyd: ‘I want to see the industry celebrate Black talent instead of pushing actors out’

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Willa Fitzgerald on her Watergate thriller 18½: ‘We live in a very different political atmosphere’

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The Recycling Concerto creating a smash out of trash

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The dark side of the influencer economy

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Letter to my Younger Self

Denise Mina: ‘Writing is a compulsion. It’s not really something you choose to do’

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How Herbert Ponting captured Scott’s doomed Antarctic expedition

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Ultimate Thunder: The most punk-rock band in Britain

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Big Zuu: ‘Food is about connecting with everyone’

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Ms. Marvel: What happens when a superhero’s greatest enemy is the fandom?

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Peter Cushing’s Dr Who movies regenerated for a new audience

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violence against women

BetterPod: Laura Bates fights institutional misogyny and everyday sexism

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Rainn Wilson on the meaning of life, America and the ‘gratifying’ legacy of The Office

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How church, state and monarchy are inextricably bound

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Letter to my Younger Self

John McEnroe: ‘It was a hell of a ride’

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Lucy Sweet: Glastonbury – ‘the maddest masterclass of sensory overload’

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Life as a midwife aid worker: ‘Plagued by vivid dreams of the patients I felt I had failed’

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The Odd Throuple: Only Murders In The Building is back with a triumphant second season

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Why I created a book full of weird and wonderful images I found in online archives

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