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Dave Grohl: ‘I smashed cymbals like they were teacups’

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Why BBC2’s The Investigation could change true crime drama forever

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‘Bliss’ review: A film that takes a different approach

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‘Rams’ review: Funny and thoughtful in equal measure

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Dave Grohl: ‘For a while I wasn’t sure if I ever wanted to play music again’

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A River Called Time by Courttia Newland: A dramatic and satisfying finale

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Remote Control by Nnedi Okorafor: Richer than books three times as long

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5 George Orwell books that aren’t 1984 or Animal Farm

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Busting the myths of the Windrush Generation

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Zoe Lyons: ‘I would go back and tell my younger self she will be loved’

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‘There’s just a great sparkle there’: A chat with Bakewell and Mangan

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Why should we care about superheavy elements? Because we don’t know yet

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The Ghost Of Peter Sellers: ‘One of history’s most infuriating film stars’

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Rock royalty: Cashing in on a classic

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Radio Life by Derek B Miller: A return to form, with knobs on

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Master Craftsman by George Saunders: A writer’s David Bowie or Lou Reed

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Wish I was there: Who needs real travel when you have TV?

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Omari Douglas from It’s a Sin: ‘People like Roscoe shaped the gay landscape’

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Matthew Lewis: ‘For 10 years I’ve been saying, one day you’ll grow up’

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Seven reasons why It’s A Sin is the most important drama of 2021

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