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Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

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The Music That Made Me

Skunk Anansie’s Skin: ‘Rage Against the Machine gave me permission to be political’

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Morgana Robinson: ‘I’m the giant bogey that everyone sticks to’

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Skint: the BBC’s new series of monologues are informed by lived experience of poverty

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Then Barbara Met Alan – a revolutionary love story

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Top Boy’s Saffron Hocking: ‘The show is so popular because it’s real’

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This week’s Big TV Picks: Skint, Then Barbara Met Alan and Top Boy

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Stephan Moccio: piano solos with a pop persuasion

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Bridgerton’s Queen Charlotte, Golda Rosheuvel: ‘We are presenting the world we are living in today’

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‘For some reason, women are expected to deal with medical situations men just wouldn’t tolerate’

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Letter To My Younger Self

Clive Myrie: ‘You see the very best and very worst of human nature in a conflict situation’

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How I wrote Tides: A novelist’s search for solitude

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Clara Amfo: ‘You’ve really got to back yourself’

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Tim Key: ‘I’m more of a taverns man myself’

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Singer-songwriter Wrabel on his music being used as a tool for queer activism

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Why Sweden is top when it comes to pop

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Author Okechukwu Nzelu: ‘I’m interested in love stories that go far beyond boy meets girl’

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Tobias Forge explains the surprise influence of Eurovision on metal band Ghost

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Why Māori women in New Zealand are disproportionately likely to be homeless

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Author Scott Anderson on the last CIA survivor of the Cold War

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