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Wicked Enchantment by Wanda Coleman: Poems that race from line to line

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Record Store Day and the secrets of the vinyl sleeves

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The Father review: Unsettling, insidious and genuinely scary

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John Finnemore’s Souvenir Programme might just be a work of radio genius

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Peter Crouch: ‘I’m still dining out on the robot celebration’

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Keanu Reeves: Saving the world with rock’n’roll… and kindness

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The best LGBTQ+ documentaries ever made

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Early Morning Riser by Katherine Heiny looks at life’s bruises and heartaches

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Sauntering: The writers walking their way to stories

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Fargo taps into our deepest fears, and not just because of the ad breaks

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The Final Revival of Opal and Nev: An exploration of feminist agency

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Dream Horse review: straightforward, unfussy but full of charm

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Robert MacFarlane and Johnny Flynn discuss making an album in lockdown

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Millicent Simmonds: ‘People with disabilities don’t need to be saved’

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Bryan Adams’ photography will change how you think about homelessness

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Black Buck by Mateo Askaripour: fast-paced, energetic and confident

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Anne Boleyn: The new drama modernising history

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Lean Fall Stand by Jon McGregor: A submersive reading experience

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Singing in the rain: This summer’s festival line up

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Christopher Eccleston: ‘I’m currently sleeping in the Tardis’

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