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Chamber Music, Will Ashon: Night Train, Thom Jones

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There is still hope in tackling the world’s illegal wildlife trade

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Ozzy Osbourne: My son Jack is ‘nuts’ to tackle California fires

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Charlie Brooker on holding a black mirror to our Brexit-battered reality

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Street Art: My street life drawings celebrate diversity and hope

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Composing after conflict – how art can find inspiration in the ruins of war

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You’re tired! Isn’t it long past time ‘The Apprentice’ went into retirement?

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Bold, arresting, difficult – Luca Guadagnino’s ‘Suspiria’ is a remake to fear

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Roger Daltrey: ‘I’ve not been perfect, but I hope I learned from my mistakes’

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Dan Snow traces the history of shell shock in new BBC documentary

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Michael Morpurgo’s ‘Poppy Field’ brings remembrance to a new generation

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Cressida Cowell’s advice on finding your magic in writing and creativity

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‘Guernica’ divides historians, but its meaning is more relevant than ever

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‘Outlaw King’ is a chaotic, horrific spectacle seeping with Scottish beauty

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Street Art: Paula Sousa’s work explores the vulnerability of nature

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Jazzy Jeff Goldblum – how the power of jazz is the secret of his success

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Steve McQueen’s ‘Widows’ is a lesson in how to portray badass women in film

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Friday Black, Adjei-Brenyah: Silence is my Mother Tongue, Addonia

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Sarah Brightman: Everything feels muddled – singing brings people together

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We asked ‘Spider-Man’ developers why the game focuses heavily on homelessness

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