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Paul Weller: Why I picked Jawbone as my first film score

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Charles Dickens: More relevant than ever

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Casting JonBenet: Are we in a post-true crime TV era?

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Let your exclusive T do the talking: #WEARABIGISSUE

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Ian McShane: “I had free further education under socialism”

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Swinging London – how new circus show SOHO is bringing London to life

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Charles Dickens exclusive: join his Night Walks

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Review: Claudio Monteverdi – Celebrating the godfather of opera

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Film review: Citizen Jane – Still resonates

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Mindhorn – why do Brits love a loser?

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Dennis Quaid: “Cocaine is a way of telling you you’re making too much money”

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Carl Weathers: Fight for your rights

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Kae Tempest: ‘We need to reinvigorate our senses’

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TV review: Big Little Lies – Curse of the yummy mummy

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Film review: Lady Macbeth – Intense and darkly gripping

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Review: Alain Mabanckou, Black Moses

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The Tuts: Fiercely independent three-tone band coming to a festival near you

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Julian Barratt: “I’m interested in communicating a pompous person”

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Porn Again: Rashida Jones talks Hot Girls Wanted

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Max Richter: “I don’t like music as manifesto or a lecture”

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