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Almost Home: Unique exhibition showcases the ‘pain and hope’ of women in prison

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Cobra Kai star Ralph Macchio thinks his Karate Kid kick belongs in the Smithsonian: ‘It’s cinema magic’

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We Do Not Part by Han Kang review – scarred with South Korea’s trauma and terror

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The Sound of Utopia by Michel Krielaars review – the perils of making music in Stalin’s Russia

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Heartbroken? Blame capitalism. Author Shon Faye on why so many of us feel like ‘failures in love’

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Letter to my Younger Self

Bros star Matt Goss: ‘Me and my brother Luke should get on with having a good time together’

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From Star Wars to David Lynch: How my obsession with obscure 80s films rewired my tiny brain

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The Seed of the Sacred Fig: Inside the Iranian film that a brave cast and crew risked everything for

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Artist Stuart Semple on why education in the arts needs an urgent reset: ‘It’s like battery farming’

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Perfection by Vincenzo Latronico review – anatomy of a fake online life

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Rejection by Tony Tulathimutte review – a darkly humorous examination of online lives

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Letter To My Younger Self

World’s most-streamed classical artist Ludovico Einaudi: ‘Music was the only way for me to survive’

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Why the story of metal is worthy of a Greek tragedy

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Top 5 crime thrillers, chosen by best-selling author and former detective Neil Lancaster

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There’s a tragic inevitability with Angelina Jolie’s Maria Callas

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The Brutalist director Brady Corbet: ‘This film will, unfortunately, never not be relevant’

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Brian and Maggie shows Rachel Reeves is taking the wrong lessons from Margaret Thatcher

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This UK music festival is building homes and tackling homelessness: ‘It’s a festival of giving’

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Under the Eye of the Big Bird by Hiromi Kawakami review – light among the poignancy and depth

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The Ancients by John Larison review – a powerful dystopian survival story

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