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I’m Still Here director Walter Salles on the tragedy he never forgot: ‘I felt very much lost’

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Robert De Niro and the Zero Day dilemma: Is Netflix scared of Trump?

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EastEnders at 40: How Britain’s soaps became the soul of the nation

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Greatest of All Time by Alex Allison review – lifting the taboo of being gay in football

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My Tender Matador by Pedro Lemebel review – searing, angry power on every page

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Jason Donovan on ‘first love’ Kylie Minogue: ‘It’s a very difficult relationship to escape’

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Letter To My Younger Self

First Dates star Fred Sirieix: ‘I left France because I loved punk’

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White Lotus star Jason Isaacs on why we love watching the 1% be ‘miserable as hell’

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Top 5 historical adventures for kids, chosen by bestselling writer MG Leonard

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How the Alsama Project grew from a small Lebanese flat to educate hundreds of teen refugees

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This bizarre tale of a snail-obsessed misfit might be the unlikely hit of the Oscars

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Almost Home: Unique exhibition showcases the ‘pain and hope’ of women in prison

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Cobra Kai star Ralph Macchio thinks his Karate Kid kick belongs in the Smithsonian: ‘It’s cinema magic’

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We Do Not Part by Han Kang review – scarred with South Korea’s trauma and terror

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The Sound of Utopia by Michel Krielaars review – the perils of making music in Stalin’s Russia

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Heartbroken? Blame capitalism. Author Shon Faye on why so many of us feel like ‘failures in love’

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From Star Wars to David Lynch: How my obsession with obscure 80s films rewired my tiny brain

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The Seed of the Sacred Fig: Inside the Iranian film that a brave cast and crew risked everything for

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Top 5 Cold War novels, chosen by historian and author Oskar Jensen

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Artist Stuart Semple on why education in the arts needs an urgent reset: ‘It’s like battery farming’

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