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macabre cabaret

Tragic Ruby McCollister takes on Edinburgh, ‘the live-performing Olympics of the world’

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Kokomo City: ‘Who doesn’t want these girls to be safe?’

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‘I criticise Israel because I love it, not because I hate it’

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Stravinsky rite of passage is worth protecting

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Expressive writing

Rediscovering my love of dancing changed my life… and inspired my book

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Top 5 books about monsters and parasites, selected by Ronald Malfi

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Ripe review: A dread-filled indictment of capitalism

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Little Rabbit review: The politics of kink

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From warehouses to Wembley: A day with Sleaford Mods, voice of a troubled nation

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Is Talk To Me the scariest film of the year?

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How Sinéad O’Connor risked it all to speak truth to power – and inspired a new generation

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Good Omens 2: Behind the scenes with an infernal demon

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Chris Packham: ‘My younger self would be my biggest critic’

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Minority writing

How writing reconnected me with my Bedouin past

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Midge Ure on alcoholism and recovery: ‘After I saw my daughter’s reaction, I never touched it again’

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Melissa Barrera: ‘Carmen represents rebellion’

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Silver Nitrate by Silvia Moreno-Garcia review: Menacing and magical happenings made believable

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Harold Shipman murdered my grandmother. Now I’m playing him onstage

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Britpop’s returning heroes remain a different class

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Beware the Woman by Megan Abbott review: A slow-burning thriller that explodes into horror

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