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The Tusks of Extinction by Ray Nayler review – the mammoth risks of playing God with nature

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Your Utopia by Bora Chung review – finding poignancy in speculative fiction

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Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

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Composer Cassie Kinoshi: ‘Understanding one’s own mental health is of utmost importance to me’

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John Malkovich on fashion, hope and why beauty is mandatory for the survival of the species

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Filmmaker Adam Curtis on epic new BBC drama The Way – and how the power of TV is shaking up Britain

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Family Politics by John O’Farrell review – a plea to engage with those whose views we abhor

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Letter to my younger self

Ex-England star Jermaine Jenas: ‘I’ve found it hard to make peace with my football career’

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Mrs Gulliver by Valerie Martin review – finding agency in a patriarchy

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Olivia Colman and Jessie Buckley: ‘Why the hell are we still judging someone on how they look?’

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‘This is not the end’: Experimental arts venue Iklectik fights to survive after shock eviction

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Freaks Out! by Luke Haines review – a righteous celebration of gloriously weird rock ‘n’ rollers

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The Life and Times of Little Richard review – eye-popping anecdotes of a pornographic nature

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Dune: Part Two review – deluxe space opera with a discreet safety net

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Women of Ukraine displaced by war rebuild their lives in striking new portrait exhibition

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Apoocalypse Now: Joe Lycett vs Sewage on Channel 4 shames UK’s privatised water companies

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England ace turned TV pundit Jermaine Jenas: ‘There are sharks everywhere in football’

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My great-great aunt was murdered – and this was my very own true crime investigation

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Photojournalist Lanre Fehintola didn’t just record life on the edge – he became the story

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Here’s one they played earlier: Pre-recorded orchestras spell trouble for live performance

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