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Origin review – a genuine, often unsettling cinema outlier

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Ava DuVernay on Origin: ‘I want it to be the kind of film you think about after you’ve left the theatre’

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‘We felt like absolute stars’: Behind the 1971 women’s football World Cup the world forgot

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Hamilton tour review – an urgent production as America needs heroes to rise up

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Social Enterprise

Advantages of Age and the taboo-busting power of intentional living

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Letter to my Younger Self

Spandau Ballet star Tony Hadley on communism, punk and how music saved him from a stint in borstal

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Take it from me, going to gigs by yourself is liberating and life-affirming

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‘Against the odds’: How the Lubber Fiend made Newcastle’s music scene exciting again

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The Tusks of Extinction by Ray Nayler review – the mammoth risks of playing God with nature

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Your Utopia by Bora Chung review – finding poignancy in speculative fiction

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Behind Oscar-tipped doc Four Daughters: A story of radicalisation, family and loss

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Composer Cassie Kinoshi: ‘Understanding one’s own mental health is of utmost importance to me’

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John Malkovich on fashion, hope and why beauty is mandatory for the survival of the species

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Filmmaker Adam Curtis on epic new BBC drama The Way – and how the power of TV is shaking up Britain

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Family Politics by John O’Farrell review – a plea to engage with those whose views we abhor

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Letter to my younger self

Ex-England star Jermaine Jenas: ‘I’ve found it hard to make peace with my football career’

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Mrs Gulliver by Valerie Martin review – finding agency in a patriarchy

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Olivia Colman and Jessie Buckley: ‘Why the hell are we still judging someone on how they look?’

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‘This is not the end’: Experimental arts venue Iklectik fights to survive after shock eviction

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Freaks Out! by Luke Haines review – a righteous celebration of gloriously weird rock ‘n’ rollers

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