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Namesake by NS Nuseibeh review – personal insight informed by Islamic myth and culture

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Peter Capaldi on why his new cop drama Criminal Record is going to be your next TV obsession

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Save Luna: London venue fights to survive in face of crippling costs and founder’s tragic passing

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Ava Anna Ada by Ali Millar review – the apocalyptic age of anxiety

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Homeless World Cup

Bill Nighy and Micheal Ward star in new Netflix Film inspired by Homeless World Cup

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War Horse author Michael Morpurgo warns cost of living crisis is denying kids the ‘right to read’

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Normal Women by Ainslie Hogarth – a dark take on suburban motherhood

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Reading Robert Smith’s diary made me fall in love with The Cure

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The Holdovers review – a film of well-turned wit and emotional warmth

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Morton Feldman at the Tate Modern – an elegy for pioneering artist Philip Guston

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The Coral co-founder Bill Ryder-Jones on beauty, sorrow and psychedelic new album Iechyd Da

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Jodie Comer: ‘I really want women to see themselves depicted in a truthful light’

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‘You can have a life-changing experience for the price of pizza’: Why Sneaky Pete’s is vital to Scottish music

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Peter Capaldi: ‘There are a lot of big problems – there’s no point burying our head in the sand’

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Happy Days icon Henry Winkler: ‘The Fonz gave me opportunity – but then he took opportunity away’

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Jodie Comer on taking up space as a woman and advice she received from Killing Eve co-star

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Top 5 books featuring doppelgängers – chosen by acclaimed Rabbit Hole author Kate Brody

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Emma Stone’s new film Poor Things is a fantastical discovery of mind, body and world

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Dead Ink Books: Why we will never publish in the mainstream

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Halfway House by Helen FitzGerald review – a masterclass in blackly comic horror

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