Culture
A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed
A working class community’s fight to be seen for who they are… through theatre, bingo and a good feed
Linton Kwesi Johnson: ‘It wasn’t easy for the Windrush generation’
Linton Kwesi Johnson: ‘It wasn’t easy for the Windrush generation’
Accidental journalist Ross Kemp: ‘People think I take myself very seriously. They don’t know me’
Accidental journalist Ross Kemp: ‘People think I take myself very seriously. They don’t know me’
Michael Bublé: ‘Your real legacy is the empathy and kindness you show’
Michael Bublé: ‘Your real legacy is the empathy and kindness you show’
What can human creators learn from grasses, the ‘sleeping beauties’ of our natural world?
What can human creators learn from grasses, the ‘sleeping beauties’ of our natural world?
The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured
The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured
The House of Doors by Tan Twan Eng review: Compelling drama set in the shadow of Empire
The House of Doors by Tan Twan Eng review: Compelling drama set in the shadow of Empire
Sally Phillips: ‘I had to go through this revelation that I’m no good at acting’
Sally Phillips: ‘I had to go through this revelation that I’m no good at acting’
Grenfell by Steve McQueen review: A powerful and haunting reminder
Grenfell by Steve McQueen review: A powerful and haunting reminder
Danny Robins on the return of Uncanny: ghostly monks, poignant poltergeists and famous UFOs
Danny Robins on the return of Uncanny: ghostly monks, poignant poltergeists and famous UFOs
Cash Carraway on Rain Dogs: ‘We always see working-class stories through a middle-class gaze’
Cash Carraway on Rain Dogs: ‘We always see working-class stories through a middle-class gaze’
Freema Agyeman: ‘I miss a good pub and I miss a good queue’
Freema Agyeman: ‘I miss a good pub and I miss a good queue’
Siobhán McSweeney: ‘I just want to dance in the street and lick people’s faces’
Siobhán McSweeney: ‘I just want to dance in the street and lick people’s faces’
Thirsty Animals review: A dystopian future ‘impeccably depicted’
Thirsty Animals review: A dystopian future ‘impeccably depicted’
Death Watch review: Killer timepieces and the emptiness of consumerism
Death Watch review: Killer timepieces and the emptiness of consumerism
‘I’m hopeful because there is anger’ – Naomi Alderman says The Power is an outlet for female rage
