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‘A showgirl is in everybody’: Is the life of a showgirl as glamorous as Taylor Swift makes it seem?

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Buckle Up by Adam Buxton review – proof that comedy really does belong in music

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Cult poet Martin Newell: ‘I am the good granddad of rock ‘n’ roll’

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The Hack creator Jack Thorne: ‘We’re living in a world where no one seems to trust anything’

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Mother Mary Comes to Me by Arundhati Roy review – words of wisdom

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House of Day, House of Night by Olga Tokarczuk review – mushrooming magic

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Revealed: Brits trust Claudia Winkleman and Jonathan Ross more than Rachel Reeves and Keir Starmer

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Big Thief: ‘There’s much more to humanity than just this awfulness’

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Queer history goes back centuries – even the Georgians questioned their gender and sexuality

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Top 5 crime collections, chosen by award-winning crime writer Martin Edwards

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Clarkston review – strong performances shine light onto dark subject matter

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BIGSOUND festival review – the sound from down under

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Dead of Winter review – Emma Thompson is an ice cool, unlikely hero

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Harris Dickinson: ‘There are so many injustices. How do you stay across all of them?’

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Cranhill Arts Project: Meet the Glasgow community group that painted itself a better future

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Daniel Morgan’s murder was never solved. Can new TV drama The Hack shake justice loose?

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Cursed Daughters by Oyinkan Braithwaite review – an understated family saga

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Letter To My Younger Self

Adam Buxton: ‘Being a carer is the right thing to do – but it’s so hard, especially if it’s your parents’

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This is what happens when crime and thriller authors get together

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Top 5 art books, chosen by art historian and comedian Verity Babbs

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