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Danny Robins on the return of Uncanny: ghostly monks, poignant poltergeists and famous UFOs

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Cash Carraway on Rain Dogs: ‘We always see working-class stories through a middle-class gaze’

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Michael Bublé: ‘I had a sense that I was unique’

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Freema Agyeman: ‘I miss a good pub and I miss a good queue’

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Siobhán McSweeney: ‘I just want to dance in the street and lick people’s faces’

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Dystopian fiction

Thirsty Animals review: A dystopian future ‘impeccably depicted’

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How two men outran the KGB to bring Tetris to the world

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I thought Noël Coward was dated. How wrong I was

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Good Friday Agreement

The man who never gave up on peace

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‘I’m hopeful because there is anger’ – Naomi Alderman says The Power is an outlet for female rage

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International Transgender Day of Visibility: Top 5 books by trans feminine authors

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Lily Savage: British drag pays tribute to a queen

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Ed Sheeran vs the music critics: Why he’s so desperately wrong

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God’s Creatures: Paul Mescal flexes his brogue in artfully bleak Irish family drama

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BBC Singers: Internationally renowned choir deserved to dodge the axe

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Bass signed by Frightened Rabbit and Death Cab for Cutie auctioned to help Tiny Changes support young people’s mental health

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Succession is a bracingly difficult watch because we are all Roys, really

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Rentaghost: Which 90s indie band ripped off a kids TV classic for their one big hit?

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Tetris director Jon S Baird: Tragically, this story is timely

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Northern Ireland

Sian Brooke ‘fell in love with Belfast’ making gritty police drama Blue Lights

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