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‘I thought I was going to die’: Meet the Hardest Geezer, the man who ran the world

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Funk band Cymande on new music doc Getting It Back and finally getting recognition after years

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Savage Theories by Pola Oloixarac review – breathing chaotic life into the streets of Buenos Aires

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The Fate of Mary Rose by Caroline Blackwood review – the chilling trauma of gendered violence

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Comedian Dom Joly meets Big Issue vendor André to lift the lid on homelessness – and his new novel

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Letter To My Younger Self

King of the thrill Harlan Coben: ‘America used to seem cool – now it’s gone berserk’

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William Tell director Nick Hamm on why the apple scene is so relevant today: ‘It cuts to the core’

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Streetwise Opera

I was made homeless in my 60s and slept on night buses. Then I found opera – and it saved me

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I couldn’t find people suffering from chronic illness in books – so I wrote my own

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Comedian James Acaster: ‘I am not an alpha male’

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Why Labour’s VAT hike on private school fees could mean UK music suffers

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Ella Maisy Purvis on crime drama Patience and why she doesn’t want to be a ‘robotic, asexual drone’

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We Are All Ghosts in the Forest by Lorraine Wilson review – digital ghosts haunt a voyage of discovery

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What You Were Fighting For by James Sallis review – gritty and self-deprecating crime stories

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Emmerdale star talks taking on a father’s agony in missing person story: ‘I hope it makes people think’

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‘Tragedy is a cruel teacher’: Harlan Coben on how death of his parents made him a better writer

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Nickel Boys star Aunjanue Ellis-Taylor: ‘Black women’s tears are exploited’

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Manchester City and England football star Chloe Kelly: ‘A smile on your face goes a long way’

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Drag Race star Tia Kofi: ‘Trump winning the election? I wouldn’t call it iconic…’

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Keane star Tom Chaplin: ‘Trump, Putin and Netanyahu need psychoanalysis’

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