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Artist Rhiannon Faith: ‘I refuse to live in a society where someone feels so alone they lose hope’

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New play Capital! explores Edinburgh’s financial history through eyes of Big Issue vendor

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Hamilton tour review – an urgent production as America needs heroes to rise up

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Cruel Intentions: The ’90s Musical review – nostalgia never felt so wicked

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Christopher Eccleston: Scrooge could be any one of those Tory ministers round the cabinet table

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The Wizard of Booze: How a pantomime is helping people overcoming addiction this Christmas

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Scene & Heard: The wild and wacky theatre project where kids write the plays

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How a groundbreaking theatre project is teaching prisoners there’s more to life than crime

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Cowbois: This ‘big queer Western’ is subverting macho tropes and celebrating gender outlaws

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It’s a Sin star Nathaniel Hall on abuse, finding humour in dark places and powerful new show Toxic

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Brassic FM: How 90s rave crackdowns foreshadowed attacks on our right to protest

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theatre and community

This ambitious multi-location production of The Odyssey has created community theatre on the grandest scale

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‘I exist as two people’: Peyvand Sadeghian lays bare the politics of identity

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The story of the world’s first drag ABBA tribute band

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‘I criticise Israel because I love it, not because I hate it’

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Harold Shipman murdered my grandmother. Now I’m playing him onstage

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another dimension

Rocky Horror at 50: ‘A place for the marginalised’

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‘I got a letter saying I had a six-year-old son I knew nothing about. One of us had to grow up’

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As ‘I, Daniel Blake’ hits the stage, here’s why it’s needed more than ever

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Dixon and Daughters: Vital National Theatre production shows how trauma can echo through generations of women

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