TV

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Nick Frost: We want the horror to be frightening and the comedy to be funny

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Rupert Graves: A walk through Stoke Newington changed my life

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Brian Cox’s ‘self-made man’ in Succession succeeds because he’s ‘not Trump’

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Master The Big Issue task set by Taskmaster’s Alex Horne

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Hayley Squires: ‘This country has a class problem. Always has, always will’

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Why watching Selling Sunset is entering a house of fun

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Why does Only Fools and Horses work… in Serbia?

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The Brexit and Covid parallels in Emily Watson’s new drama The Third Day

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It’s taken 40 years but Richard Osman has hit his happiness peak once again

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David Tennant on ‘Des’: This is about a failure of society

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Writer Luke Neal: watch ‘Des’ with the victims, not Dennis Nilsen, in mind

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Cat Deeley takes us back to the days when Ant and Dec were ‘rubbish’

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Luke Treadaway: “I’m there for James. He’s showed such strength”

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David Tennant: ‘This is about a failure of society’

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Creature Comforts? Samuel West on the politics of All Creatures Great & Small

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Why Terrace House is televisual equivalent of a mindfulness jigsaw

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Past and prescient: The Plot Against America

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Daniel Mays: Some of the greatest art is created in dire circumstances

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Actor, poet, changemaker: Jade Anouka unleashes new short film for the BBC…

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Celebrity Gogglebox is a real box of delights

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