TV

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Can Christmas TV really comfort us after 2020?

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All Creatures Great and Small: Inside the Christmas Special

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Fearne Cotton: ‘I’ve been to hell and back’

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Cat Deeley: How a fun adventure led to cracking America

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Gregg Wallace: ‘What I really like is instant coffee and food out of tins’

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Daisy Edgar-Jones on the ‘topsy-turvy’ impact of Normal People

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Daisy Edgar-Jones reveals what it was like to become a star during lockdown

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Mortimer & Whitehouse: ‘We must embrace and treasure our friendships’

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Susie Dent: ‘You don’t have to try to be someone you’re not’

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His Dark Materials’ Ariyon Bakare: ‘My homelessness meant total invisibility’

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Save pubs, save jobs: Tom Kerridge has a plan

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Sara Pascoe: ‘I had a very stupid opinion for a long time about therapy’

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Gregg Wallace was no master chef in his younger days

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Nick Frost: We want the horror to be frightening and the comedy to be funny

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Rupert Graves: A walk through Stoke Newington changed my life

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Brian Cox’s ‘self-made man’ in Succession succeeds because he’s ‘not Trump’

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Hayley Squires: ‘This country has a class problem. Always has, always will’

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Why watching Selling Sunset is entering a house of fun

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Why does Only Fools and Horses work… in Serbia?

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The Brexit and Covid parallels in Emily Watson’s new drama The Third Day

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