Advertisement
Film

Will slasher Winnie the Pooh open the door for other off-colour Disney remakes?

Winnie the Pooh and Piglet have grown up into terrifying serial killers – this is not going to end well

If you go down to the woods today, you’re sure of a big surprise… especially if you bump into Winnie the Pooh and Piglet. The depressive bear and his perky sidekick – originally created by author AA Milne and illustrator EH Shepard in 1927 and further popularised by animated Disney adaptations since 1961 – have undergone a gruesome makeover. In the thrifty new horror movie Winnie the Pooh: Blood and Honey, the beloved duo have been reimagined as terrifying serial killers with slightly wonky masks. They work out their abandonment issues in various wince-inducing ways when a grown-up Christopher Robin belatedly returns to Hundred Acre Wood with his stressed wife and some other imminent victims in tow.

The idea of a hulking, mute Pooh tipping some poor woman into a woodchipper sounds like a sick joke, and by all accounts this wilfully transgressive B-movie goes for the full shlock-and-eurgh approach with gallons of blood, buckets of gore and the occasional popped eyeball thrown in for good measure. The incongruity of turning childhood favourites Winnie the Pooh and Piglet into nightmarish monsters is all part of the transgressive fun, and whether you enjoy cheap slasher flicks or not, some respect is due to young writer/director Rhys Frake-Waterfield.

Your support changes lives. Find out how you can help us help more people by signing up for a subscription

The Essex-based film-maker – who cut his teeth producing lurid straight-to-video movies called things like Croc! and Dinosaur Hotel – had the foresight to realise that the original Winnie the Pooh stories entered public domain in 2022, granting him the freedom to do whatever he wanted with globally recognised characters. That he chose to have a menacingly tusked Piglet pour honey on someone’s face before eating it might not exactly chime with Milne’s original vision of a roly-poly teddy bear bumbling around in bucolic woodland but from a legal standpoint, Frake-Waterfield is free and clear. That audacity appears to have paid off handsomely. Even before its UK release, Winnie the Pooh: Blood and Honey has made over £2 million at the global box office from a reported budget of around £80,000. That nudges it into the same lucrative bracket as The Blair Witch Project and Paranormal Activity: buzz-driven horror films made for buttons that banked serious moolah. Unsurprisingly, Frake-Waterfield has been talking up a Blood and Honey sequel and pitching twisted new takes on similarly copyright-free works like the original Bambi and Peter Pan stories.

You might think Disney – who did so much to solidify the Pooh shtick we all love – would have something to say about all this. But having previously lobbied US legislators to extend copyright laws, the mega media-corp now seems to have accepted that it cannot maintain a stranglehold on its intellectual property forever. It seems like fair turnabout, especially since Disney has a long history of leveraging public domain works to make hits like Pinocchio, Beauty and the Beast and Aladdin. (Also Snow White, although admittedly Disney punched up the Grimm tale by adding cool names for the dwarves.) The company’s recent pivot to live-action remakes of its animated film library might feel like an attempt to cling on to copyright protection but basically once 95 years have elapsed pretty much everything is up for grabs.

So will the notoriety of Blood and Honey inspire other filmmakers to exploit works that have recently become public domain? Frake-Waterfield may have verbally bagsied Bambi but there are other options out there. Teen sleuths the Hardy Boys might not have quite the same brand recognition but if you wanted to turn Frank and Joe into fraternal thrill-killers no-one can stop you. Fritz Lang’s 1927 sci-fi benchmark Metropolis also became public domain this year, which might explain why Apple TV+ have announced a flashy reboot. Songs are also fair game so now is the perfect time to pitch a slushy slasher movie based on the 1920s novelty hit I Scream, You Scream, We All Scream For Ice-Cream. (Tagline: “Cold as ice and willing to sacrifice …”)

Advertisement
Advertisement

The biggest possible test case is looming next year, when Steamboat Willie – the 1928 animated short featuring the first iteration of Mickey Mouse – loses copyright protection. It will be fascinating to see how Disney reacts when it is open season on arguably their most famous character. Expect lots of off-colour riffs from film-makers looking to emulate Frake-Waterfield. Because who could resist taking the mickey out of such a clean-cut corporate mascot?

Winnie the Pooh: Blood and Honey is at the Glasgow Film Festival on March 10 and on general release in cinemas

Graeme Virtue is a film and TV critic

This article is taken from The Big Issue magazine, which exists to give homeless, long-term unemployed and marginalised people the opportunity to earn an income.

To support our work buy a copy! If you cannot reach your local vendor, you can still click HERE to subscribe to The Big Issue today or give a gift subscription to a friend or family member.

You can also purchase one-off issues from The Big Issue Shop or The Big Issue app, available now from the App Store or Google Play

Advertisement

Become a Big Issue member

3.8 million people in the UK live in extreme poverty. Turn your anger into action - become a Big Issue member and give us the power to take poverty to zero.

Recommended for you

Read All
'War is madness': Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz
Exclusive

'War is madness': Steve McQueen and Saoirse Ronan on Britishness, trauma and new drama Blitz

Anora review – even Russian mercenaries have a sensitive side 
Film

Anora review – even Russian mercenaries have a sensitive side 

The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus
Film

The Room Next Door review – Pedro Almodóvar puts friendship and assisted dying in laser-focus

Timestalker review – digging deep into how love makes fools of us all
Alice Lowe in Timestalker
Film

Timestalker review – digging deep into how love makes fools of us all

Most Popular

Read All
Renters pay their landlords' buy-to-let mortgages, so they should get a share of the profits
Renters: A mortgage lender's window advertising buy-to-let products
1.

Renters pay their landlords' buy-to-let mortgages, so they should get a share of the profits

Exclusive: Disabled people are 'set up to fail' by the DWP in target-driven disability benefits system, whistleblowers reveal
Pound coins on a piece of paper with disability living allowancve
2.

Exclusive: Disabled people are 'set up to fail' by the DWP in target-driven disability benefits system, whistleblowers reveal

Cost of living payment 2024: Where to get help now the scheme is over
next dwp cost of living payment 2023
3.

Cost of living payment 2024: Where to get help now the scheme is over

Citroën Ami: the tiny electric vehicle driving change with The Big Issue
4.

Citroën Ami: the tiny electric vehicle driving change with The Big Issue