Advertisement
Music

Classical music’s pushbacks against travel restrictions and gender imbalance

The combination of Brexit and historic sexism is sparking a revolt in the world of classical music, says Claire Jackson

The Incorporated Society of Musicians (ISM) has published a report into the impact of Brexit on musicians, highlighting concerns regarding freedom of movement. I know what you might be thinking: another day, another column about Brexit; but for those who travel regularly for a living this is a growing concern. It is particularly pertinent for musicians, of whom 30 per cent travel to the EU more than five times a year, according to the report, which solicited responses from around 1,600 performers.

The study claims that more than 40 per cent of musicians have noticed a negative influence on their employment as a result of Brexit, up from 26 per cent in 2017 and 19 per cent in 2016. Given that many gigs are impromptu – more than one in eight musicians are given less than seven days’ notice – having to apply for visas and endure lengthy administrative procedures could lead to lost job opportunities.

The classical and contemporary music industry thrives because although it is specialist, it is collaborative. Inexpensive travel and digital communications have allowed us to build networks around the globe, but especially with our neighbours in Europe. These have enhanced and deepened our understanding of music and audience development. I recently had a glimpse into a possible future where travelling a modest distance incurred a visa. I was invited to visit a foreign opera company; after some discussion, it transpired that I would need to spend an entire day at an embassy to arrange a visa before the commission could be confirmed. For the self-employed writer on a tight budget, it was impractical. For musicians, it is a threat to livelihoods.

Music by female composers has been marginalised for centuries, and, happily, many organisations are seeking to redress the balance

One solution is that authorities could widen the scope of a permitted paid engagement visa from 30 to 90 days, suggests the International Artist Managers’ Association (IAMA), which has joined forces with the ISM, the Royal Opera House (ROH) and the Association of British Orchestras (ABO) for another report. The ROH points out that there is a regular need to bring in replacement singers from abroad at almost no notice when soloists are ill, while the ABO sensibly urges policymakers to consider the reality that touring is “intrinsic to the orchestral business model”. The Proms season is a key example: this summer we have enjoyed visits from the Estonian Festival Orchestra, Rotterdam Philharmonic Orchestra and Swedish Chamber Orchestra to name but a few.

Music by female composers has been marginalised for centuries, and, happily, many organisations are seeking to redress the balance. Trinity Laban Conservatoire of Music and Dance has unveiled a new series called Venus Blazing which begins in the new academic year, with 25 of the 37 works programmed (68 per cent) penned by women.

For better or worse, Wikipedia is often our first port of call when searching online, but only 17 per cent of Wikipedia’s entries about people are about women, and only 10 per cent of Wikipedia’s contributing editors are female. Southbank Centre and clarinettist Heather Roche are hosting a Wikipedia edit-a-thon on September 2, with the aim of adding more woman composers to Wikipedia’s database. Do join in via #ComposingWikipedia.

Advertisement
Advertisement
Advertisement

Change a vendor's life this Christmas

This Christmas, 3.8 million people across the UK will be facing extreme poverty. Thousands of those struggling will turn to selling the Big Issue as a vital source of income - they need your support to earn and lift themselves out of poverty.

Recommended for you

Read All
Laura Mvula: 'I don't know if I'd be a singer without my family'
Laura Mvula recording her rendition of Paul Simon's 'I Know What I Know' for John Lewis. Image: John Lewis
Music

Laura Mvula: 'I don't know if I'd be a singer without my family'

Reverend and the Makers release Samaritans charity single: 'You don't have to be on your own at Christmas’
Jon McClure from Reverend and the Makers
Music

Reverend and the Makers release Samaritans charity single: 'You don't have to be on your own at Christmas’

New Order's Transmissions podcast digs up wild new stories of the band – and I'm mad for it
New Order in 1989
Music

New Order's Transmissions podcast digs up wild new stories of the band – and I'm mad for it

Primal Scream's Bobby Gillespie: 'I had a young family – children and hard drugs don’t mix'
Bobby Gillespie
Letter To My Younger Self

Primal Scream's Bobby Gillespie: 'I had a young family – children and hard drugs don’t mix'

Most Popular

Read All
Renters pay their landlords' buy-to-let mortgages, so they should get a share of the profits
Renters: A mortgage lender's window advertising buy-to-let products
1.

Renters pay their landlords' buy-to-let mortgages, so they should get a share of the profits

Exclusive: Disabled people are 'set up to fail' by the DWP in target-driven disability benefits system, whistleblowers reveal
Pound coins on a piece of paper with disability living allowancve
2.

Exclusive: Disabled people are 'set up to fail' by the DWP in target-driven disability benefits system, whistleblowers reveal

Cost of living payment 2024: Where to get help now the scheme is over
next dwp cost of living payment 2023
3.

Cost of living payment 2024: Where to get help now the scheme is over

Citroën Ami: the tiny electric vehicle driving change with The Big Issue
4.

Citroën Ami: the tiny electric vehicle driving change with The Big Issue