With the moral panic that is currently swelling over London’s wave of violent crime, it was only a matter of time before the finger was pointed at rap music.
Earlier this month The Sunday Times, in a curious and sweeping piece, stated that “murders and stabbings plaguing London and other cities are directly linked to an ultra-violent new form of music sweeping Britain”, suggesting that the spike in fatal stabbings and shootings we are witnessing is directly linked to the UK rap genre drill.
Drill is a sub-genre of road rap that burst out of Brixton, south London, in 2014. The style of music is heavily influenced by Chicago drill and is similar in that the artists rap about the extreme violence they are actively involved in, reflecting the harsh realities of their environments. But some from the media don’t believe that drill is just reflecting the violence; they assert that it is driving it.
Blaming UK drill for the violence is the equivalent of marking the symptom of a disease as the cause. It has no statistical validity. Clearly, this is an older generation that are seeking to blame, rather than understand these marginalised youths.
Here is a prime example of a young black man crying out for help, but then putting on a hard exterior to conceal his pain
There is precedent. In the wake of the Columbine school shooting in 1999, the first major spree killing to grab the global consciousness, the killers were said to be influenced by the work of Marilyn Manson.
Appearing on Michael Moore’s documentary, Bowling For Columbine, Manson was asked what he would have said to the killers just before the massacre, Manson replied: “I wouldn’t say a thing. I would have just listened to them… and that’s what nobody did.”