The truth may be out there but Gillian Anderson isn’t interested. Best known for her role as sceptical (and smouldering) FBI Special Agent Dana Scully in The X-Files, a worldwide hit through most of the 1990s, people still want to share their supernatural experiences with her today.
“It’s the story of my life!” she says. “Just the other day someone who had read a science fiction book I have co-written wanted to talk to me about how what happened in the book had actually happened to him. So yes, people want to bend my ear every once in a while.”
Ever had any close encounters of your own? “I have been asked that thousands of times,” she sighs. “But any time I ever answer that question it ends up being the headline and then it gets carried in a tabloid and there’s really no point in engaging in a conversation about it. That’s not going to be your headline I’m afraid.”
There’s no point in talking about it. That’s not going to be your headline I’m afraid
Anderson, 46, was born in Chicago but moved with her family to Crouch End when she was two. They stayed until she was 11 before returning to Grand Rapids, Michigan, but she has always considered the UK home and lives in London. “It feels more familiar than the States,” she says. “I’m still moved by the city. It’s the smell of hedgerows, the history and architecture, and the sound of a British accent.”
Anderson herself speaks in cut-glass English but is bidialectal, able to switch between two accents, particularly useful for someone whose career bridges both sides of the Atlantic. Why did she want to become an actress? “It’s the only thing I can do, that’s why I do it,” she replies, matter-of-factly.
The X-Files changed TV, setting a trend for well-written, well-acted shows that led to the landscape we have today. Television also offers a fertile ground for strong female characters, of which Scully was a pioneer. “I have been extremely lucky,” Anderson says. “In television the trend has been around for a good decade. There are a lack of three-dimensional female characters in film and that continues to be difficult to crack. But in TV there seems to be a plethora of opportunities.”