Thomas the Tank Engine first pulled into the station in 1946, in the second book in The Railway Series by the Rev W Awdry. From the beginning, Awdry based his stories on real trains and adhered to the rules of the railway, which the programme-makers stayed true to in the enormously popular Ringo Starr-narrated TV series of the 1980s. And they have kept on track ever since.
Supervising producer Ian McCue recognises that the core audience is toddlers but is aware of a vocal fanbase who complain about the programme’s technical mistakes.
“When I first came on board Thomas, it was during the first CGI batch and at that point, fans were up in arms because the trains didn’t have brake vans at the back of a long line of trucks,” McCue remembers. “There’s no way you could have a train like that out on a line without a break van – it’s just against the rules.
“Our three or four-year-old fans are not going to know that but it was a bit lazy of us to be honest, a quick fix that doesn’t cause us any trouble and suddenly the fans are happy. Our core audience of toddlers are really just looking to be entertained, but we know there is this great army of Thomas fans that we really respect. If not for them, Thomas would not have lasted so they’re very important to us and we always try to ensure we’re doing the right thing.
“I do often get caught up reading some of the Sodor Island forums, various notes on YouTube, and I know at one point there were engines crisscrossing tracks – again that’s an easy fix. Slowly we started listening to what the fans were saying.
“But there’s only so much we can do,” McCue adds. “If fans want to go and watch a show about a real railway, they’re better off watching Michael Portillo’s journeys around the world, but it’s not going to be as fun and entertaining.”