https://twitter.com/GBNewsFails/status/1405176003794714625?s=20
Those tuning in also spotted issues sound quality, with journalist Neil Oliver suffering a microphone fault on the opening night and other technical hitches hampering producers’ efforts throughout the week.
Audio issues needn’t stop viewers from getting their fill from GB News though – production staff at the channel kindly ensured that anyone struggling to hear would be able to access their content.
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Ignoring the traditional option of subtitling, viewers of GB News were offered the chance to read the presenter’s autocue reflected on a clear screen behind them.
https://twitter.com/GBNewsFails/status/1405589724400689152?s=20
Following a launch programme with the channel’s chairman, Andrew Neil, it did not take long for the right-leaning channel to garner some complaints, with a programme on its opening night sparking hundreds of regulator complaints.
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More than 370 people wrote to Ofcom following an anti-lockdown monologue from presenter Dan Wooton, while a number of big brands – furniture giant IKEA among them – have already pulled their advertising.
Complaints from shocked viewers may not be the only problem facing the UK’s newest broadcaster, with serious production challenges overshadowing its opening week.
Spelling has also proved to be a thorn in the side of GB News bosses, with high-profile names such as Dragon’s Den member Theo Paphitis forced to correct captions on the screen, while production staff also faced backlash after a caption promoting a discussion of the “miner’s penison”.
Efforts by GB News to “expose” the behaviour of Britain’s media class have also shown mixed results, with the only significant uncovering revealed so far being an inadvertent showing of a guest’s rear end.
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As a result of the consistent mistakes made on the channel, a dedicated Twitter account, @GBNewsFails, was created and has already amassed more than 63,000 followers and 95 online donations.
Following their opening few days GB News said it has made a number of improvements to its set and hopes that viewers “notice the difference”, promising to “improve as we go”.