The social media-driven ‘Yookay’ is the UK imagined as a changing multicultural mess, a kind of South Africa-on-Thames. The images that accompany it include South Asian Deliveroo drivers, signage written in African languages and stills from TikTok promoting immigration loopholes.
It is not coincidental that the Yookay has spread fast in the year since the worst anti-migrant riots in decades following the tragedy of the Southport stabbings last July. Tensions over the nature of immigration (both legal and irregular) have not abated. The question over who is and what is allowed to be British grows louder daily. The Yookay is here to stay.
The Yookay is best associated with an X account opened in January 2025 (the term itself a phonetic spelling of “UK” in multicultural London English). The account, Yookay Aesthetics, lists its work as “chronicling the new Britain”, adding the helpful disclaimer that “posts are not implicit value judgements”.
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The “new Britain” it chronicles is a mix of the unpleasant (a still of an Asian man alleged to have assaulted a policewoman at Manchester Airport), the unaesthetic (barber shops jammed incongruously in below mock-Tudor beams), the bizarre (a bhangra performance featuring a humanoid robot) and the banal (Sadiq Khan receiving a knighthood).
Though it began online, the Yookay has increasingly crept into the public sphere. In a recent article for The Telegraph, former chief negotiator for Brexit David Frost described the Yookay as the transmutation of the UK into something new, a country with “different national character, and with lower national ambition”, laying the blame in large part on immigration.