Odysseus knew it. So does Peter Parker. And anyone that’s belted out Three Lions recently. It’s all about coming home.
Homer’s epic The Odyssey charts the 10-year trip from Troy, situated in modern-day Türkiye, to the Greek island of Ithaca, via a few detours. It’s the archetype of western storytelling tradition. All the tales we tell, if you boil them down to their essence, have at their heart a search for home; a failure to make it home if it’s a tragedy.
Home can be literal: the island where your beloved Penelope awaits. Or it represents a state of equilibrium – stability, security and belonging – that has to be restored before you can enjoy your happily ever after.
Millennia after Odysseus’s fantastic voyage, the amazing Spider-Man is on a similar journey. The first film headlined by Tom Holland – also currently appearing in Christopher Nolan’s take on The Odyssey – was subtitled Homecoming. Its sequel was Far From Home.
The latest film, out this week and partly filmed just down the road from where I’m typing this in Glasgow (close enough for our sub-editor, Alan, to grab a Spidey selfie one lunchbreak) is called Brand New Day. Things were going too smoothly for Peter Parker/Spider-Man. He’d saved the world a couple of times and found his true love. Too settled by superhero standards.
Time for a reset, with everyone’s memory wiped by some maddening multiverse MacGuffin so the stakes can rise again.









