Whilst all the time he writes from the working man’s view of life; nature is not as a backdrop viewed from the bay window of a Jane Austen-like squire’s drawing room. But from the fields and the streams with the taste of wind and sun and wind and rain in the lines.
The Mole-Catcher is delightful and descriptive:
When melted snow leaves bare the black-green rings,
And grass begins in freshening hues to shoot,
When thawing dirt to shoes of ploughmen clings,
And silk-haired moles get liberty to root,
An ancient man goes plodding round the fields
Which solitude seems claiming as her own,
Wrapt in greatcoat that from a tempest shields,
Patched thick with every colour but its own.
This is the poetry of the dirt and stuff of nature. A man who writes from the field, not from the study, and nor from the reflection that comes from contemplation after endless education.
Clare’s rise to the very top of his chosen poetic profession did not lead to a permanent position in society. He rose spectacularly – and when taste turned against his bucolic voice, when fashion’s tide receded – Clare was a penniless peasant again. And tragically he never returned to prominence.
In some ways, 200 years ago had its advantage over the mental illness of our streets
After his death, Clare rose again. And countless works, like The Shepherd’s Calendar, came to be seen as worthy of reading again and again. John Clare’s star has risen even further and it is increasingly evident that he was more than a flash in the poetic pan.
Dismissed, mentally ill, yet he lives and breathes among us in collections that show his grace and descriptive beauty.
John Clare spent years in mental asylums, his first in a private institution in Essex. And then when back in Northampton, after his escape from Essex in the county asylum, where he finally died in old age.
One hears today of the increasing awareness we have of mental illness. Of the NHS struggling to keep up with demand. News items often show NHS managers and doctors saying what strenuous efforts they are making.
But could we now give a poet, or a labourer, or a confused mother with mental health problems, the certitude of a place of safety as was offered in Clare’s day?
The (at times) brutal quality of that service was, for the time, as near as possible to humane. With humaneness, combined with saving a shed load of money in mind, the Thatcher government closed down the mental hospital system. Replaced with the laughingly delivered ‘care in the community’, it was obvious that hospitals, prisons and the streets would take up the slack. And they filled up.
In some ways, 200 years ago had its advantage over the mental illness of our streets, for at least you had a roof over your head.
John Clare was an exceptionally great poet and his tragedy still echoes down through the generations. But today, our ill cry out for relief. We need to be there for them.