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From sofa surfing to the stage: This artistic director wants to give people experiencing homelessness a new lease of life

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Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel

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River Clyde by Simone Buchholz review: A daring, original crime story

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Jodie Comer’s play Prima Facie has an uncomfortable twist in the tale

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The Contractor review: Mindless title, mindful military thriller

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Our Wives Under the Sea by Julia Armfield review: A mystical thriller with serious depth

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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Channing Tatum was seemingly engineered in a lab to give uncomplicated pleasures to audiences

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These striking photos of homeless people show the reality of life on Britain’s streets

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Ai-Da: Meet the robot artist exhibiting at the Venice Biennale

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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How Anya Taylor-Joy cornered the Complex Female Character market

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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‘The opposite of levelling up’: Tories criticise Channel 4 privatisation plans

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Harrow by Joy Williams review: A nihilistic vision of a joyless future

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Chilean Poet by Alejandro Zambra review: A dazzling jewel from a true original

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Letter To My Younger Self

Alex Winter: ‘Keanu and I never thought Bill & Ted was going to be a big movie’

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The Worst Person in the World: A coming-of-age tale with a misleading title

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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