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Limbo ‘was a chance to show the world what refugees are really like’

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Theatre helped Jonnie Barton come to terms with his history of homelessness

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Emilia Teglia’s journey from Big Issue vendor to founding a theatre company

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Anti-vaxxers, the Jewish Conspiracy and 6.5 children

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Risky business: WeWork’s rise and fall

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The Last Letter from Your Lover review: a solid story with a strong casting

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Matt Damon: ‘I always looked forward to being an experienced actor’

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How Alex Lacamoire keeps the beat of Lin-Manuel Miranda’s music

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Matt Damon: ‘Politicians will always stoke the divides between us’

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Taboo: Comedy hasn’t lost its edge yet

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Limbo star Amir El-Masry: This film fights racism

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Wander star Aaron Eckhart: ‘I should do comedies… it’s probably easier’

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Online harassment: ‘Society is blind to the hatred of women’

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Vicky Krieps: Lockdown proved time is our deepest fear

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Riders of Justice film review: An interrogation of cinematic revenge

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Mosley: An engaging documentary that tickles around the rough edges

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Nowhere Special: ‘James Norton’s special performance of repressed emotion’

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Joanna Neary and John Hegley: More of these original voices, please

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The Surrogate’s Jeremy Hersh: ‘No one in the film is right or wrong’

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Black Widow ‘would have been lining up in food queues as a child’

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