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Six things we learned from Phoebe Bridgers live at Glasgow Barrowland

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Elvis review: The paradox of American myth-making

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Yoga by Emmanuel Carrère review: An intriguing journey with a uniquely inventive writer

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Top songs: a guide to Tom Cruise singing cheesy tunes in movies

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The Lost Girls: ‘This movie represents my own process of growing up’

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Good Luck to You, Leo Grande is a radical reminder that older women are sexual beings

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Lightyear: Astronaut Tim Peake reveals five things films get right about space

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Everything Went Fine: A right-to-die story that’s strangely life-affirming

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Lea Thompson: ‘I love that science fiction can use the future to talk about the present’

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Companion Piece by Ali Smith review: Finding compassion in a world of everyday injustices

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Homelands by Chitra Ramaswamy review: A gripping novel about heritage, exile, friendship and family

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Exclusive: Tracey Emin artwork removed from 10 Downing Street after complaint about Partygate

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How Get Carter created the blueprint for the British gangster movie

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From sofa surfing to the stage: This artistic director wants to give people experiencing homelessness a new lease of life

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Lea Thompson on directing Star Trek: Picard and her plan to make a Howard the Duck sequel

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River Clyde by Simone Buchholz review: A daring, original crime story

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The Contractor review: Mindless title, mindful military thriller

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Our Wives Under the Sea by Julia Armfield review: A mystical thriller with serious depth

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A Bug’s Life to Billy Elliot: 7 best socialist films to watch this Labour Day bank holiday

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Sophie Marceau: ‘I hope love always stays a mystery’

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