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Ai-Da: Meet the robot artist exhibiting at the Venice Biennale

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The Wonders by Elena Medel review: a gripping portrayal of poverty and powerlessness

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How Anya Taylor-Joy cornered the Complex Female Character market

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Benedetta review: an all-nuns-blazing tale of sex, sinners and unholy sisterhood

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‘The opposite of levelling up’: Tories criticise Channel 4 privatisation plans

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Harrow by Joy Williams review: A nihilistic vision of a joyless future

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The indefinable allure of Tom Burke

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Chilean Poet by Alejandro Zambra review: A dazzling jewel from a true original

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The Worst Person in the World: A coming-of-age tale with a misleading title

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The directors of Lead Me Home want to bring the film’s homeless stars to the Oscars

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Our Country Friends by Gary Shteyngart review: a contemporary literary hoot

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How I wrote Tides: A novelist’s search for solitude

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Mark Rylance: ‘There’s a loss of identity in England – who are we other than post-imperial bastards?’

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Author Okechukwu Nzelu: ‘I’m interested in love stories that go far beyond boy meets girl’

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Why Māori women in New Zealand are disproportionately likely to be homeless

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Stephen Fry to feature in play telling lockdown stories of prisoners and homeless people

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Ali & Ava: Interracial romance is a balm of northern soul

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Yungblud guest edit

Louis Theroux on childhood worries: ‘I wondered if I would ever get any proper tackle’

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As The Godfather turns 50, we remember Marlon Brando’s Oscars boycott

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Lemn Sissay: ‘It has been a hard journey at times, but it has also been a great one’

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