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Why the Take One Action Film Festival makes essential viewing ahead of COP26

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Herself director Claire Dunne: ‘We need to look at the building blocks of people, not just their houses’

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Respect review: Jennifer Hudson is sensational as Aretha Franklin

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Shorta review: tense foot chases, abrupt shootouts and meaty fistfights

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A Glasgow nightclub is using the body heat of dancers to power the venue

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Limbo ‘was a chance to show the world what refugees are really like’

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Theatre helped Jonnie Barton come to terms with his history of homelessness

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Emilia Teglia’s journey from Big Issue vendor to founding a theatre company

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Risky business: WeWork’s rise and fall

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The Last Letter from Your Lover review: a solid story with a strong casting

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Matt Damon: ‘I always looked forward to being an experienced actor’

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How Alex Lacamoire keeps the beat of Lin-Manuel Miranda’s music

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Lesley Sharp: ‘When the world is carrying a wound… how do we resolve that?’

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Matt Damon: ‘Politicians will always stoke the divides between us’

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Taboo: Comedy hasn’t lost its edge yet

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Limbo star Amir El-Masry: This film fights racism

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Online harassment: ‘Society is blind to the hatred of women’

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Vicky Krieps: Lockdown proved time is our deepest fear

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Riders of Justice film review: An interrogation of cinematic revenge

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Mosley: An engaging documentary that tickles around the rough edges

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