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H Is For Happiness: A film with its heart utterly on its sleeve

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Minari makes America seem like a land of opportunity again

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Orlando Bloom: ‘I got really good at hiding myself’

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Orlando Bloom: ‘You can’t take fame too seriously’

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SAS: Red Notice is an Andy McNab rollercoaster with some cracks and creaks

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Glasgow Film Festival 2021: Slightly slimmed-down and impressive

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The Dark and the Wicked review: Another deeply upsetting nerve-jangler

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Auntie’s still got it. And maybe she could do even more

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Sophia Loren: ‘Little by little, you see the light at the end of the tunnel’

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Choose life, but also choose to take a Trainspotting-themed tour of Leith

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Paul Greengrass on News of the World: ‘Storytelling is under direct attack’

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‘Bliss’ review: A film that takes a different approach

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‘Rams’ review: Funny and thoughtful in equal measure

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The Ghost Of Peter Sellers: ‘One of history’s most infuriating film stars’

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Matthew Lewis: ‘For 10 years I’ve been saying, one day you’ll grow up’

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Cinema is more than a building. Here’s to its return in 2021

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Indie film Concrete Plans summed up both Brexit and Covid-19

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Home Alone guide to a socially isolated Christmas

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The Three Kings: Busby, Shankly & Stein transformed the footballing landscape

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Tracy-Ann Oberman’s new drama tells the true story behind a Hollywood classic

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