Home
Culture

Culture

.imgHideOnJavaScriptDisabled_im90v499c { display: none !important; }

Lesley Sharp: ‘When the world is carrying a wound… how do we resolve that?’

.imgHideOnJavaScriptDisabled_im90v499d { display: none !important; }

Matt Damon: ‘Politicians will always stoke the divides between us’

.imgHideOnJavaScriptDisabled_im90v499e { display: none !important; }

Taboo: Comedy hasn’t lost its edge yet

.imgHideOnJavaScriptDisabled_im90v499f { display: none !important; }

Limbo star Amir El-Masry: This film fights racism

.imgHideOnJavaScriptDisabled_im90v499g { display: none !important; }

Wander star Aaron Eckhart: ‘I should do comedies… it’s probably easier’

.imgHideOnJavaScriptDisabled_im90v499h { display: none !important; }

Online harassment: ‘Society is blind to the hatred of women’

.imgHideOnJavaScriptDisabled_im90v499i { display: none !important; }

Vicky Krieps: Lockdown proved time is our deepest fear

.imgHideOnJavaScriptDisabled_im90v499j { display: none !important; }

Riders of Justice film review: An interrogation of cinematic revenge

.imgHideOnJavaScriptDisabled_im90v499k { display: none !important; }

William Shatner: Humanity won’t survive to reach a Star Trek future

.imgHideOnJavaScriptDisabled_im90v499l { display: none !important; }

Nowhere Special: ‘James Norton’s special performance of repressed emotion’

.imgHideOnJavaScriptDisabled_im90v499m { display: none !important; }

Joanna Neary and John Hegley: More of these original voices, please

.imgHideOnJavaScriptDisabled_im90v499n { display: none !important; }

The Surrogate’s Jeremy Hersh: ‘No one in the film is right or wrong’

.imgHideOnJavaScriptDisabled_im90v499o { display: none !important; }

Black Widow ‘would have been lining up in food queues as a child’

.imgHideOnJavaScriptDisabled_im90v499p { display: none !important; }

Freaky review: A body-swap stabfest with emotional stakes

.imgHideOnJavaScriptDisabled_im90v499q { display: none !important; }

Supernova: ‘I don’t think two actors on the planet could have done it better’

.imgHideOnJavaScriptDisabled_im90v499r { display: none !important; }

Supernova review: An unfussy, careful, utterly engaging drama

.imgHideOnJavaScriptDisabled_im90v499s { display: none !important; }

‘Listening to Akala is a reminder of how ugly recent British history was’

.imgHideOnJavaScriptDisabled_im90v499t { display: none !important; }

The feat of the Fast & Furious franchise

.imgHideOnJavaScriptDisabled_im90v499u { display: none !important; }

The Father review: Unsettling, insidious and genuinely scary

.imgHideOnJavaScriptDisabled_im90v499v { display: none !important; }

John Finnemore’s Souvenir Programme might just be a work of radio genius

.css-l0mio9{display:none;visibility:hidden;}