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The Funeral Cryer review: Subtle examination of social expectations in rural China

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Human Sacrifices review: As brutal as the name implies

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Patricia Wants to Cuddle review: Spine-tingling moments of mystery

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The Imposters by Tom Rachman review: Dark humour and a flair for invention

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Sleepwalk by Dan Chaon review: Both insane and insanely brilliant

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Never Was by H Gareth Gavin review: ‘A dreamy and promising debut’

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Biography of X review by Catherine Lacey: ‘A stroke of genius’

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Top 5 romcoms with cons, chosen by PJ Ellis

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Greek Lessons by Han Kang review: A luminous reflection on the difficulties of language

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Black British fiction

I couldn’t find a book with a Black British romantic heroine, so I wrote one

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The Long Form by Kate Briggs: Profoundly ambiguous, wonderfully unstructured

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Historical fiction

The House of Doors by Tan Twan Eng review: Compelling drama set in the shadow of Empire

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Dystopian fiction

Thirsty Animals review: A dystopian future ‘impeccably depicted’

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Death Watch review: Killer timepieces and the emptiness of consumerism

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Birnam Wood by Eleanor Catton review: ‘Nothing like you’ll expect’

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Brutes by Dizz Tate review: Disrupting the ‘missing girl’ trope

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into the mystic

Top 5 books about mystics and mysticism, chosen by Victoria MacKenzie

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I Have Some Questions For You by Rebecca Makkai review: A superbly paced mystery

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The Mountain in the Sea review: Ray Nayler’s ‘refreshing approach’ to alien first contact

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Owlish review: ‘No ordinary tale of male angst and frustrated desire’

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