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‘Who’s your favourite Spider-Man?’: Why the future of Spidey looks thwipping exciting

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Our right to housing is dependent on our immigration status – that’s the definition of racism

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How chicken factory musical Chuck Chuck Baby became a love letter to working-class women

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Why watching the news can be like watching a horror film – literally

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Homeless people need more than sandwiches – they need and deserve to be seen as individuals

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Big Issue and Cardboard Citizens present new film series showing homelessness is more than one story

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Francis Ford Coppola’s The Conversation is an eerie prediction of our surveillance age

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Letter To My Younger Self

Line of Duty’s Martin Compston: ‘I was a wee bit of wide-o. But I don’t think there was any malice’

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Jeff Nichols on The Bikeriders, punk rock and what makes Austin Butler a ‘stone cold movie star’

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A world without cinema is a world I don’t want to live in

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Blur: To The End review – poignant new music film shows a band of brothers reunited

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Why Sasquatch Sunset is so much more than just a gross-out comedy in Chewbacca drag

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Letter to my younger self

Furiosa star Tom Burke: ‘It stung when someone said I didn’t have a face for TV’

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Netflix’s Hit Man is what we used to call ‘a good time at the movies’ – but times have changed

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‘This country is run by idiots and fools’: Paul Weller on politics, God and the state of everything

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Viggo Mortensen on Trump, corruption and why classic Westerns are like the best poetry

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The Garfield Movie review – we’re not feline the tubby orange tabby’s full CGI makeover

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Made in England: The Films of Powell and Pressburger – Scorsese’s tribute to duo who inspired him

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Filmmaker Melanie Manchot explains how her drama Stephen can offer hope to addicts

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Banshees of Inisherin star Kerry Condon: ‘You won’t be a beautiful human without empathy’

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