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Parasite is industrial-strength social satire

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Joseph Mawle: seeing through Orwell’s eyes changed my views

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Richard Jewell is a decent portrait of an unfairly maligned everyman

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Armando Iannucci’s David Copperfield adaption is brilliantly inclusive

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Bombshell’s telling of Fox CEO Roger Ailes’ downfall is satisfying but uneven

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George MacKay explains WWI epic 1917 using Super Mario and Luigi

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1917 review: it’s a terrifically good beat-the-clock nailbiter

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M Night Shyamalan takes us through the real-life twists that surprise him

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Anthony McCarten, the writer with the Midas touch, on his ‘Pope Opera’

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Anthony Daniels reckons he’s quite similar to Star Wars droid C-3PO

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Edward Norton’s passion project Motherless Brooklyn is worth the wait

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Karen Gillan: “I wasn’t a wild child”

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Rian Johnson has Knives Out for the murder mystery genre

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Review: Knives Out is a blade of glory for Rian Johnson

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There’s little magic in The Amazing Johnathan Documentary

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Blade Runner Day: Remembering Rutger Hauer and the van that changed his life

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Helen Mirren and Ian McKellen shine in The Good Liar

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Blade Runner is set in November 2019 but what does it say about our future?

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Ken Loach’s Sorry We Missed You shows reality of austerity Britain

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REVIEW: Naomie Harris finally gets a lead role in Black and Blue

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